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A Sorceress Comes to Call
- De: T. Kingfisher
- Narrado por: Eliza Foss, Jennifer Pickens
- Duración: 11 h y 8 m
- Versión completa
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Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.
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Brilliantly creepy
- De Joella Berkner en 08-14-24
- A Sorceress Comes to Call
- De: T. Kingfisher
- Narrado por: Eliza Foss, Jennifer Pickens
Another great T Kingfisher story
Revisado: 10-09-24
An intriguing blend of cozy mystery with high stakes magic horror, coming together into a unique story progression with great pacing and intensely emotional reveals. Definitely one of her best stories.
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Bewilderness, Part Three: Destroyer of Worlds
- De: Jonathan Maberry
- Narrado por: Shayna Small
- Duración: 4 h y 24 m
- Grabación Original
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The Gateway Project was going to save our world by opening up a doorway to infinite versions of our planet. But the threshold has gone completely out of control, sending all those other Earths onto a collision course with ours. Now, our reality is cracking apart. Abby Corman did not open the Gateway, but she is the only one who knows how to close it. But an alien Hunter and her pack of deadly hellcats have stepped into our world, and they will stop at nothing to kill Abby.
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Great finish!
- De Chris Van Deelen en 02-09-21
- Bewilderness, Part Three: Destroyer of Worlds
- De: Jonathan Maberry
- Narrado por: Shayna Small
Got better by the end
Revisado: 10-07-24
for some reason, the story started a bit off but it got much better by the end, when the Chekhov guns were fired
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NecroTek
- The Necrotek Series, Book 1
- De: Jonathan Maberry
- Narrado por: Ray Porter
- Duración: 15 h y 24 m
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Neither cosmic philosopher Lars Soren, hotshot pilot Bianca Petrescu, nor the high priestess Jessica McHugh—Lady Death herself—can say quite where in the galaxy they are. But after an experiment gone horribly wrong, one thing is clear: Asphodel Station isn’t in orbit around Jupiter any longer. Worse, the monsters that live out here—ancient eldritch beings thought only to exist in stories and nightmares—have now been alerted to Earth’s existence.
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Dog water
- De Michael Nelson en 08-29-24
- NecroTek
- The Necrotek Series, Book 1
- De: Jonathan Maberry
- Narrado por: Ray Porter
Brilliant Lovecraftian sci-fi
Revisado: 09-30-24
The Lovecraftian atmosphere and the ton of cool reveals make this novel an amazing read. It's tightly plotted and greatly paced. Ray Porter is as usual at the top of his game as well. If it's weren't for the several cliched character moments and challenged morality that makes some "heroes" terribly unsympathetic, it would be a clean 5 star. But those moments don't take up that much page space so you should absolutely read this. Especially if you like the sample, this is for you.
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Full Fathom Five
- Craft Sequence, Book 3
- De: Max Gladstone
- Narrado por: Natalie Naudus
- Duración: 13 h y 17 m
- Versión completa
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On the island of Kavekana, Priestess Kai builds gods to order - sort of. Kai's creations are perfect vehicles for Craftsmen and Craftswomen operating in the Old World. For beyond the ocean, true deities still thrive, untouched by the God Wars that transformed the city-states of Alt Coulumb and Dresediel Lex. When Kai tries to save a friend's dying idol, she's gravely injured - then sidelined from the business, her near-suicidal rescue attempt offered up as proof of her instability.
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Better
- De BlindWanderer en 06-30-19
- Full Fathom Five
- Craft Sequence, Book 3
- De: Max Gladstone
- Narrado por: Natalie Naudus
Poorly written
Revisado: 06-29-24
Normally I'd give a book I managed to finish 2* just for that but this one has it all: excessive narrative summary, lack of tension, boredom, uninteresting unlikable characters, and the worst of all is the Way the POV is written. What it lacks in actual character thoughts and motivations for actions, it overcompensates with laundry lists of descriptions of what happens to be around. It's not even POV but the author's stream of consciousness.
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Three Parts Dead
- De: Max Gladstone
- Narrado por: Claudia Alick
- Duración: 13 h y 7 m
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A god has died, and it’s up to Tara, a first-year associate in the international necromantic firm of Kelethras, Albrecht, and Ao, to bring him back to life before his city falls apart. Her client is Kos, recently deceased fire god of the city of Alt Coulumb. Without him, the metropolis’ steam generators will shut down, its trains will cease running, and its four million citizens will riot. Tara’s job: resurrect Kos before chaos sets in.
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Great story, but the narrator was off
- De John en 07-27-14
- Three Parts Dead
- De: Max Gladstone
- Narrado por: Claudia Alick
Loved it
Revisado: 06-25-24
Phenomenal worldbuilding and plotting, with tight twists and turns. The world and characters are a ton of fun.
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The Frugal Wizard’s Handbook for Surviving Medieval England
- De: Brandon Sanderson
- Narrado por: Michael Kramer, Kate Reading
- Duración: 9 h y 11 m
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A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit.
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Very Unexpected…
- De Karen en 08-23-24
Unintelligible accents
Revisado: 05-07-24
The story is okay, despite Sanderson falling back on his preferred cliche for representing women, but the accents Kramer went for are terrible. Together with the strange Ye Olde English words, they make parts of the story unintelligible.
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A Deadly Education
- De: Naomi Novik
- Narrado por: Anisha Dadia
- Duración: 10 h y 59 m
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Enter a school of magic unlike any you have ever encountered. There are no teachers, no holidays, friendships are purely strategic and the odds of survival are never equal. Once you’re inside, there are only two ways out: you graduate or you die. El Higgins is uniquely prepared for the school’s many dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out untold millions - never mind easily destroy the countless monsters that prowl the school. Except, she might accidentally kill all the other students, too.
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One of my favorite authors, but...
- De Ian en 10-08-20
- A Deadly Education
- De: Naomi Novik
- Narrado por: Anisha Dadia
Endless internal monologue
Revisado: 04-20-23
Jesus Christ this book starts out well enough but only 3 things actually happen by the end, and you're just showered with endless internal monologue of the protagonist THAT KEEPS REPEATING THE SAME 3 THINGS. That the monsters are coming after her, that she needs to protect her life, and that she absolutely must go against her own best interest because it's ESSENTIAL for her to be rude to the enclave kids.
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The Sharing Knife, Volume 1
- Beguilement
- De: Lois McMaster Bujold
- Narrado por: Bernadette Dunne
- Duración: 11 h y 59 m
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Young, pregnant Fawn Bluefield has just fled her family's farm to the city of Glassforge, where she encounters a patrol of the enigmatic soldier-sorcerers known as Lakewalkers. Fawn has heard stories about the Lakewalkers, who are wandering necromancers with no permanent homes and no possessions except the clothes they wear and the mysterious knives they carry. What she does not know is that the Lakewalkers are engaged in a perilous campaign against inhuman and immortal magical entities known as "malices".
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Not really my thing
- De Eric C. Zawadzki en 08-27-09
- The Sharing Knife, Volume 1
- Beguilement
- De: Lois McMaster Bujold
- Narrado por: Bernadette Dunne
trope: Romantic Plot Tumor
Revisado: 03-25-23
Romantic Plot Tumor is when the romantic subplot takes over the entire (usually adventure) novel and utterly destroys it. This wouldn't be a problem if the tumor in this book wasn't festering with malignant boredom generated by tedious dialogue and a relationship based on physical attraction. IRL physical attraction is lots of fun but on the page is just as interesting as a blow by blow fight or Insert Tab A into Slot B. I don't want these people to be together, i barely care about the worldbuilding which was slightly promising but ultimately insufficient and unimaginative. The actual plot starts and ends at the beginning of the book and never returns for the rest of 90%. I said it before, breaking the writer's promise is immoral. If you market it as a fantasy book, write a fantasy book. If it's an unclever, unfunny, uninteresting romance where you don't root for the romance but there's an insanely long and detailed sex scene, market it as soft prn or new adult as it's euphemistically called.
To add insult to injury, Bujold subscribes to the rape culture that normalizes it. There's a rape attempt at the beginning of the book because of course it is because IT'S NORMAL. There is absolutely no need for the rape exist since the woman is kidnapped to be killed by the malus creature and that's THE FANTASY stake, so why do we need a non fantasy, disgusting one. But rape is just one of those things that happens to women, like periods, forced pregnancy, domestic violence, and bad hair days. What's a little forced sex to you when someone else enjoys it? No biggie. When the attempt rapist gets killed, the woman is actually sad for him, which is insane given the amount of trauma rape causes IRL. Oh no, poor rapist, said every rape victim, right after being given PTSD by the rapist, who was ENJOYING themselves. Seriously, Bujold is sick. She has that entitled mentality that it can't happen to her because she's too rich and well bred, and the victims of rape should be more sympathetic to the plight of their aggressors. It's no biggie after all. Your genitals are for everyone to abuse. Bujold has similar entitled attitudes throughout other books, reflected in the classist, superior outlook of Miles Vorkosigan who is fren-frens with the emperor and calls him on his first name, and in the self satisfied attitude of the doctor in the other series, who walks without fear in the middle of a magic ebola outbreak because he's protected by his "demon", read edgy angel because it's indistinguishable. It's the complacent, cozy attitude of the person who can come by no harm because their money and social status cushion them too well. In the mean time, rape victims should be more accepting. Spare me, Bujold.
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The Secrets of Story
- Innovative Tools for Perfecting Your Fiction and Captivating Readers
- De: Matt Bird
- Narrado por: Eric Michael Summerer
- Duración: 12 h y 2 m
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The Secrets of Story is a revolutionary and comprehensive writing guide for the 21st century, focused on clever ways to get an audience to fully identify with an all-too-human hero. Authors will learn to how to cut through pop culture noise and win over a jaded modern audience by rediscovering the heart of writing: shaping stories that ring true to our shared understanding of human nature.
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Good Story Impossible? 'Au Contraire'!
- De Gillian en 05-26-17
- The Secrets of Story
- Innovative Tools for Perfecting Your Fiction and Captivating Readers
- De: Matt Bird
- Narrado por: Eric Michael Summerer
Best book on writing
Revisado: 03-10-23
This is the absolute best I read on crafting fiction. Although the opening alarmed me a little by starting with a bad, oversimplified example and with details about the author's life that made me think it might be one of those self congratulatory "wisdom" books, it quickly went on to treat some of the hardest problems I've had when trying to develop a character/plot. The main of those problems is how to make an antihero that's satisfying to read and not a reader hate fest. Bird deconstructs this into its parts and then reduces reader identification to 3 pillars that he then treats with examples. To my surprise, his next book, the one dedicated to character, is nowhere nearly as insightful as the section in this book. The following sections of Secrets of Story are possibly less revelatory but only because the character parts are so enlightening. Excellent book for those who already write but ran into problems they didn't know how to solve. Is generally unappreciated by people who don't write because they never ran into these problems.
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The Atrocity Archives
- Book 1 in The Laundry Files
- De: Charles Stross
- Narrado por: Jack Hawkins
- Duración: 10 h y 57 m
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Never volunteer for active duty... Bob Howard is a low-level techie working for a super-secret government agency. While his colleagues are out saving the world, Bob's under a desk restoring lost data. His world was dull and safe; but then he went and got Noticed. Now, Bob is up to his neck in spycraft, alternative universes, dimension-hopping terrorists, monstrous elder gods and the end of the world. Only one thing is certain: it will take more than 'control+alt+delete' to sort this mess out...
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Buyer beware - this is "Hard Science Fiction"
- De StuHarr en 11-26-21
- The Atrocity Archives
- Book 1 in The Laundry Files
- De: Charles Stross
- Narrado por: Jack Hawkins
Mixed bag
Revisado: 03-10-23
The worldbuilding is phenomenal but I say this as someone familiar with words like Hamiltonian, NP completeness, and lattice, and even I had to jog my memory on the Church Turing hypothesis. Which isn't a bad reason to pause the book for, but could've been integrated in the writing as an explanation to someone. however my point is that the way the author uses the math to give a hard sci-fi basis to Lovecraftian abominations does indeed make the target audience feel mind boggled, and I loved it. However the plot is kind of meh, and the author has no skill or understanding in signposting the plot or giving enough information at critical moments, which can make one feel lost and having to rewind once or thrice to the description of the little round yellow things with the bumpy surface, whatever they were?! Because of the lack of plot signposting, the book also feels disjointed and episodic. Characters are intensely meh to outright annoying. I actually actively wished for the main character to not have a chance at a relationship with a woman because he wasn't good enough for her, and I was in *his* POV at the time. So bad POV work as well. I am a plot/mystery reader and this was interesting enough to keep me going. The series massively improves after the second book and I very likely finish it.
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