J Patton
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- 0
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- 3
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The Narrator's Handbook
- De: Tanya Eby
- Narrado por: Tanya Eby
- Duración: 6 h y 17 m
- Versión completa
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General5 out of 5 stars 7
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Narración:5 out of 5 stars 7
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Historia5 out of 5 stars 7
Audiobook narration is fun, varied, and a whole lot of hard work. Tanya Eby's handbook draws on her 25 years of experience in the audiobook industry to give narrators tips, suggestions, and information on the art and business of audiobook narration.
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5 out of 5 stars
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No matter how experienced a narrator you are…this book is ONE to read/listen
- De SmilingJade en 02-23-25
- The Narrator's Handbook
- De: Tanya Eby
- Narrado por: Tanya Eby
Authentic connection
Revisado: 12-31-24
This is essential listening/reading for any narrator or wannabe narrator. Not only is the information invaluable, but Tanya's tone, her sympathy, and her empathy makes her feel like a friend - like an authentic connection.
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Latcher
- A Novel
- De: Mike Dineen
- Narrado por: Amy Deuchler
- Duración: 9 h y 32 m
- Versión completa
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General4.5 out of 5 stars 5
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Narración:5 out of 5 stars 3
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Historia4.5 out of 5 stars 3
How do you let go of the past if the past won't let go of you? When her abusive mother goes missing, Joanna Smith sees an opportunity to lay the past and the inner monsters that still haunt her to rest. But while en route to investigate her mother's whereabouts, Jo and her sister, Amanda, become stranded and are forced to journey into a forest that grows stranger and deadlier the closer they get to the house they grew up in.
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5 out of 5 stars
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Couldn't stop listening
- De J Patton en 10-22-22
- Latcher
- A Novel
- De: Mike Dineen
- Narrado por: Amy Deuchler
Couldn't stop listening
Revisado: 10-22-22
Amy offered us a gift of this book for Halloween, and I took her up on it. I REALLY enjoyed it. I listened to the whole book in a few days. Amy has mastered the technique of narrating in an "active secret" mode, bringing the mic close, which gives maximum suspense. I'm a hardened horror fan, but, without giving away any spoilers, the part that had me squirming in my seat had to do with "small spaces".
Amy had a real challenge here, as the main two protagonists were twins. How do you differentiate their voices? She used tone and attitude effectively whenever possible, but there were a few quiet conversations where she (and we) really had no choice but to rely on character tags ("Amanda said," "Jo said") to know who was speaking. She did a masterful job performing the book.
I'm a narrator myself, and I listen to learn how to perform better. Amy gave a good lesson.
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