SANDRA GARCIA

Anna Green thought she was marrying Liam “West” Weston for access to subsidized family housing while at UCLA. She also thought she’d signed divorce papers when the graduation caps were tossed, and they both went on their merry ways. Three years later, Anna is a starving artist living paycheck to paycheck while West is a Stanford professor. He may be one of four heirs to the Weston Foods conglomerate, but he has little interest in working for the heartless corporation his family built from the ground up. He is interested, however, in his one-hundred-million-dollar inheritance.

The fairest flower in Mawbry is Erienne Fleming, the enchanting, raven-haired daughter of the village mayor. Charming, spirited, and exquisitely lovely, she is beset on all sides by suitors, any one of whom would pay a king's fortune for a place in her heart. But Erienne has eyes for only one: the dashing and witty young Yankee, Christopher Seton. But marriage for love is not to be, for her irresponsible and unscrupulous father, crippled by gambling debts, is intent on auctioning off his beautiful daughter to the highest bidder.

A series of weather and road mishaps leave me trapped in the middle of a blizzard with a complete stranger. In the back of a pickup truck. For 48 freakin' hours. A stranger with long hair, tattoos, and rippling with muscle. A stranger with an insanely sexy voice and a wicked smile that turns my insides to jelly. A stranger who holds me in his arms, calms me, and then sets a fire in me that I can't put out.

On the run from ruthless killers, I take a job at a remote mountain estate tutoring a little boy. It's the ideal shelter from the storm that has engulfed my life, but there is a catch. The boy's father is the most beautiful, most dangerous man I've ever met. Darkly seductive and filthy rich, Nikolai Molotov is as magnetic as he is enigmatic. Bruised knuckles and tailored suits, tender endearments and dirty promises—everything about my new employer draws me in, even as my instincts warn that my safe haven just might be the devil's lair. My protector may turn out to be my captor.

The first letter arrived the day my husband was buried. It was postmarked from the state penitentiary, and contained a single sentence: I’ll wait forever if I have to. It was signed by Dante, a man I didn’t know.

When Cristiano Grigori came for me, he didn’t come alone. He brought his army to kill the soldiers at my door and took me for himself. He put his ring on my finger and marked me as mafia property. His property. Cristiano is my enemy. He’s also the only man with whom I’ve ever felt safe. Protected. But I have to remember that he married me with one purpose in mind—revenge. I would be the bridge to his real enemies. I can’t let myself forget that he isn’t the hero of this story. His hands are covered in blood. I saw that with my own eyes.

When Anna wakes up from a coma after a car crash, she discovers life has gone on without her. Her husband has been unfaithful - with her best friend - and she’s been long since replaced at work. While her old life is a distant memory, her new life feels like an empty shell. Then she meets the stranger who saved her life during the crash, and he changes everything. Leif Larsen - tattooist, joker, and player - has his own scars thanks to the crash that put Anna in a coma. Helping her move on from her failed marriage, and create a new life, sounds like a perfect distraction.

Leila's psychic abilities have been failing her, and now she isn't sure what the future holds. If that weren't enough, her lover, Vlad, has been acting distant. Though Leila is a mere mortal, she's also a modern woman who refuses to accept the cold-shoulder treatment forever - especially from the darkly handsome vampire who still won't admit that he loves her.... Soon circumstances send Leila back to the carnival circuit, where tragedy strikes.

Maxine Parker’s life is an agonizingly solitary one, and not by choice. life. Her empathic ability renders it impossible for her to touch a living soul without killing them. But she cannot kill what is already dead. Thrust into the middle of a war between the Vampire King and three stalwart hunters, she finds herself drawn to Dracula’s alluring seduction. Giving in to her attraction to him would mark the end of her life. Will that be the sacrifice required to save the people of Boston from the plague of death closing in on them?