Michael Douso

In early 1970, artist Ralph Steadman went to America in search of work and found more than he bargained for. At the Kentucky Derby, he met a former Hell's Angel, one Hunter S. Thompson. Thompson wrote later that "The rest of that day blurs into madness. The rest of that night, too. Steadman was lucky to get out of Louisville without serious injuries, and I was lucky to get out at all." Thus began a 30-year friendship and a working relationship that gave birth to what became known as Gonzo Journalism.

Begun in 1959 by a twenty-two-year-old Hunter S. Thompson, The Rum Diary is a brilliantly tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s.

Everything starts somewhere. For elite military cop Jack Reacher, that somewhere was Carter Crossing, Mississippi, way back in 1997. A lonely railroad track. A crime scene. A coverup. young woman is dead, and solid evidence points to a soldier at a nearby military base. But that soldier has powerful friends in Washington. Reacher is ordered undercover - to find out everything he can, to control the local police, and then to vanish. Reacher is a good soldier. But when he gets to Carter Crossing, he finds layers no one saw coming, and the investigation spins out of control.

In Las Vegas to cover a motorcycle race, Raoul Duke (Thompson) and his attorney Dr. Gonzo (inspired by a friend of Thompson) are quickly diverted to search for the American dream. Their quest is fueled by nearly every drug imaginable and quickly becomes a surreal experience that blurs the line between reality and fantasy. But there is more to this hilarious tale than reckless behavior, for underneath the hallucinogenic facade is a stinging criticism of American greed and consumerism.