Graham
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- 12
- votos útiles
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- calificaciones
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The Back of the Turtle
- A Novel
- De: Thomas King
- Narrado por: Doug Philip
- Duración: 10 h y 40 m
- Versión completa
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Historia
In The Back of the Turtle, Gabriel returns to Smoke River, the reserve where his mother grew up and to which she returned with Gabriel's sister. The reserve is deserted after an environmental disaster killed the population, including Gabriel's family, and the wildlife. Gabriel, a brilliant scientist working for Domidion, created GreenSweep, and indirectly led to the crisis. Now he has come to see the damage and to kill himself in the sea. But as he prepares to let the water take him, he sees a young girl in the waves. Plunging in, he saves her, and soon is saving others.
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Classic King
- De Graham en 09-08-19
- The Back of the Turtle
- A Novel
- De: Thomas King
- Narrado por: Doug Philip
Classic King
Revisado: 09-08-19
Perfect for those already familiar with King, and those who have never read/heard him before. A playful blend of Indigenous and Euro-Western allegories, with something to say about contemporary life.
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Bossypants
- De: Tina Fey
- Narrado por: Tina Fey
- Duración: 5 h y 32 m
- Versión completa
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Before Liz Lemon, before Weekend Update, before Sarah Palin, Tina Fey was just a young girl with a dream: A recurring stress dream that she was being chased through a local airport by her middle-school gym teacher. She also had a dream that one day she would be a comedian on TV. She has seen both these dreams come true. At last, Tina Fey's story can be told. From her youthful days as a vicious nerd to her tour of duty on Saturday Night Live. Tina Fey reveals all, and proves what we've always suspected: You're no one until someone calls you bossy.
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Tina Fey broke my new SUV
- De Warren en 04-07-11
- Bossypants
- De: Tina Fey
- Narrado por: Tina Fey
Funny but at times problematic
Revisado: 08-01-18
I first listened to Bossypants in 2012, and just finished re-listening with my wife. Fey is s great narrator and a funny and insightful writer, but there are several points with racist undertones. It still largely holds up, but those moments really detract from the rest of the book.
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Ready Player One
- De: Ernest Cline
- Narrado por: Wil Wheaton
- Duración: 15 h y 40 m
- Versión completa
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Historia
In the year 2045, reality is an ugly place. The only time Wade Watts really feels alive is when he’s jacked into the OASIS, a vast virtual world where most of humanity spends their days. When the eccentric creator of the OASIS dies, he leaves behind a series of fiendish puzzles, based on his obsession with the pop culture of decades past. Whoever is first to solve them will inherit his vast fortune—and control of the OASIS itself.
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I’m sorry I waited so long to read this book.
- De Julie W. Capell en 05-27-14
- Ready Player One
- De: Ernest Cline
- Narrado por: Wil Wheaton
A knowing wink...
Revisado: 10-25-17
Sadly, didn't live up to my (modest) expectations. The story relied too much on pop culture references and 80s nostalgia, and didn't have as compelling or well-written narrative as I'd hoped. If you love plot lines torn from cheesy 80s movies, you're in luck; otherwise, reconsider.
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Fool
- A Novel
- De: Christopher Moore
- Narrado por: Euan Morton
- Duración: 8 h y 40 m
- Versión completa
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Pocket has been Lear's cherished fool for years. So naturally Pocket is at his brainless, elderly liege's side when Lear demands that his kids swear to him their undying love and devotion. Of course Goneril and Regan are only too happy to brownnose Dad. But Cordelia believes that her father's request is kind of...well...stupid, and her blunt honesty ends up costing her her rightful share of the kingdom and earns her a banishment to boot.
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Mr Moore does it again.
- De Michael en 02-17-09
- Fool
- A Novel
- De: Christopher Moore
- Narrado por: Euan Morton
Best enjoyed with a flagon of ale.
Revisado: 05-23-12
This satiric take on Shakespeare's dark and depressing classic is fun and (more or less) accurate to the original. There are good laughs to be had, and the story is imaginative and intriguing, but this isn't Moore's best work. Sort of an "Angel's and Demons" to "Lamb's" "Davinci Code," entertaining but somewhat familiar and a little less compelling than the more famous work.
Morton does a good job creating an entire cast of characters, and effectively captures classic stage interpretations of Shakespeare's immortal figures.
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