Alexis

No one wants to be a victim, but most find the event too hypnotic to ignore. In order to save their traveling carnival from bankruptcy, the Binewskis are creating their own brood of sideshow freaks. Under Al's careful direction, the pregnant Lil ingests radioisotopes, insecticides, and arsenic to make her babies "special".

On a hot day in Bethlehem, a 12-year-old Palestinian-American girl is yelled at by a group of men outside the Church of the Nativity. She has exposed her legs in a biblical city, an act they deem forbidden, and their judgement will echo on through her adolescence. When our narrator finally admits to her mother that she is queer, her mother's response only intensifies a sense of shame: "You exist too much," she tells her daughter. Told in vignettes that flash between the US and the Middle East, we trace her progress from blushing teen to sought-after DJ and aspiring writer.

At some point, every one of us embarks on a journey to find love. We meet people, date, get into and out of relationships, all with the hope of finding someone with whom we share a deep connection. This seems standard now, but it’s wildly different from what people did even just decades ago. Single people today have more romantic options than at any point in human history. With technology, our abilities to connect with and sort through these options are staggering. So why are so many people frustrated?

Sci-fi's favorite antisocial AI is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good. Martha Wells' Rogue Protocol is the third in the Murderbot Diaries series, starring a humanlike android who keeps getting sucked back into adventure after adventure, though it just wants to be left alone, away from humanity and small talk.

It has a dark past - one in which a number of humans were killed. A past that caused it to christen itself "Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don't want to know what the "A" stands for), Murderbot heads to the mining facility where it went rogue.

All Systems Red is the tense first science fiction adventure novella in Martha Wells' series The Murderbot Diaries. For fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or Iain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self-discovery and an idle instinct to kill all humans.

Eleven-year-old Nhamo is running for her life. When the village witch finder decrees that she must marry a cruel stranger to propitiate an evil spirit, her only recourse is to steal a fishing boat and go looking for a father she has never met. Alone on the Musengezi River, Nhamo has meager resources to help her survive loneliness, hunger, wild animals, and even land mines.

The rules of Blackheath: Evelyn Hardcastle will be murdered at 11:00 p.m. There are eight days and eight witnesses for you to inhabit. We will only let you escape once you tell us the name of the killer. Evelyn Hardcastle will die every day until Aiden Bishop can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest. And some of his hosts are more helpful than others....

By day, 17-year-old Jo Kuan works as a lady's maid for the cruel daughter of one of the wealthiest men in Atlanta. But by night, Jo moonlights as the pseudonymous author of a newspaper advice column for the genteel Southern lady, "Dear Miss Sweetie". When her column becomes wildly popular, she uses the power of the pen to address some of society's ills, but she's not prepared for the backlash that follows when her column challenges fixed ideas about race and gender.

Horror fans will get their thrills in this collection–from werewolves to vampires to zombies–all the time-worn horror baddies are there. But so are predators of a distinctly American variety–the horrors of empire, of intimate partner violence, of dispossession. And so too the monsters of Rogers’ imagination, that draw upon long-told Cherokee stories–of Deer Woman, fantastical sea creatures, and more.