OYENTE

Rochelle

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Confronting, Captivating

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 09-26-18

This audio edition includes vocal performances by Tanya Tagaq. She also narrates the audio & her artistic vocal performance is used with full effect. I can't help thinking that anyone reading the print edition is missing out.

I'm a sucker for a novel written with rhythm & rhyme. When an author has put that level of thought into their construction & when it works, it is a beautiful thing. This novel is a beautiful thing.

It is also horrible, terrible, confronting, magical, captivating, punishing and generous. It destroys and creates. And destroys & creates.

Split Tooth may fall into the category of "auto fiction". It's part memoir, part fiction & Tagaq isn't telling which is which.

I'm not sure what to reveal about the content otherwise. Do readers want to know that they will be confronted with terrible child abuse? With terrifying childhood exploits? It's a coming of age tale but not as you know it. It is folkloric but there are no fairytales here. I loved the revenge fantasy (can I hope this part is real? I want to believe it is real). I loved the character as Earth, despoiled & birthing. All things.

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esto le resultó útil a 8 personas

It turned me inside out and back again

Total
5 out of 5 stars
Ejecución
3 out of 5 stars
Historia
5 out of 5 stars

Revisado: 04-14-18

The first thing that stands out about this novel is the format. It might take a few chapters before you are convinced it is indeed a novel and not a series of short stories. It's definitely a novel, I promise, but the stories could indeed stand alone - they are beautifully crafted, and each is compelling.

In fact there are four separate storylines in the book. Angie and Margot are two young sisters who are on their way from their home to the store. The chapters devoted to the journey the sisters make are short, each approximately 5-10 minutes. They are the first characters met in the novel & their story introduces the theme of the novel: complicated sibling relationships.

Apart from the two sisters, the other characters are a mother & son, a married couple, and a brother and sister. In each, sibling relationships play a critical role. Angie and Margot get short segments, and we meet them in chapters 1, 3, 5, 7 & so on. The other pairs get longer chapters, less frequently. The longer chapters give a good amount of time to "bed in" those stories, but I have to admit that Angie & Margot claimed my heart from the beginning.

Novels in the format of stories that are interconnected aren't new, but this one is something very, very special. The prose is divine. It is dark, and if you haven't read the synopsis some of the revealed connections can be devastating. In chapter 8, after one revelation, I shouted "no!" at my phone, and quickly paused the story, to desperately try and undo what I thought had just happened. I hadn't read the publisher's synopsis - if I had, I might have kept my cool - although, even thinking about that part of the story now gives me shivers. I spent the rest of my evening repeating the mantra "these are all fictional characters, none of this actually happened". It didn't help.

It is brilliant, it turned me inside out and back again, partly for the prose, and partly for the stories. The connections between characters in different stories also turn out to be critical, even if they don't always seem it in the moment of revelation. I kept notes of characters names - it wasn't necessary, but some people might find it useful to have. It's worth going back over at the end of the book to see how each character is connected to the others.

It's fantastic that Audible Studios have backed this novel as an audiobook. It's one of those gems that really make me grateful for having read it. If the audio had come out when the novel was short listed for the Giller Prize it might have got more attention, but hopefully it will still find a lot of readers.

The audiobook is read, rather than performed, which means that dialogue is not characterised & it can take a moment to register which character is speaking. A reading also misses the additional context a performance brings, such as emphasis and punctuation. In this case the reading felt a little perfunctory to me, and I was disappointed that changes in scene weren't given a pause which meant I had to rewind a few times to take in that I was reading a new scene. Overall, the narration was underwhelming, particularly because I loved the book so much & feel it deserved better. The production quality was otherwise high and the reading was clear.

I think the translation was spectacular. To get the prose to sing the way it does Lenderhendler must've spent a lot of time finding just the right turn of phrase or word. I had a couple of niggles, in particular the use of the term "handicapped" to describe a character who has had amputations. "Handicapped" is an old fashioned and negative term and the setting was contemporary enough that (as a disabled person) I thought "disabled" would have been a better word choice. It's a minor issue but...still.

Hands down, this is a gorgeous weave of stories, brilliant characters and the prose is some of the best I have read. Even if you don't mind plot spoilers I recommend you don't read the publisher's synopsis; if you do I guarantee you'll still enjoy the novel, even knowing some of the major plot points. I can't guarantee you'll have your heart ripped from your chest the way that I did, but if you love style this has it in buckets.

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The Wall Audiolibro Por Marlen Haushofer arte de portada

TERRIFIC!

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 04-14-18

The biggest differences between The Wall and other solo survival stories are that the main character is a woman, and she is an ordinary woman, not an explorer or a scientist with any survival skills that will help her during the ordeal of finding herself alive, alone, cut off from the rest of the world.

Haushofer's (unnamed) survivor is staying at a friends hunting lodge in rural Austria when she discover her companions haven't returned from a night out. She finds that between the lodge and the village where her friends went the last evening an invisible wall has manifested. Every being she can see on the outside of the wall is immobile. There's no suggestion of any recognisable disaster, but there's also no evidence that anything remaining outside the wall is alive.

The friend at whose lodge our survivor has been holidaying believed catastrophic disaster was likely and has stocked his hunting lodge accordingly. She has food - for a little while at least. But without survival knowledge her story boils down to a lot of very hard physical labour and some occasional good luck.

The wall remains largely unexplained. It is invisible, so she is able to observe the lack of goings on outside. Weather passes across it, and she endures powerful storms. Water from a creek passes through the wall but she herself is unable to breach it.

It is a simple, classic storyline but Haushofer's is an all class example. It's excellent storytelling, brilliant pacing, and utterly compelling. It was a difficult one to press pause on - I just wanted to read further.

The translation is solid throughout. In spite of the book being originally published in 1963 it was only in 1990 that Shaun Whiteside translated it from German into English.

Kathe Mazur's audio performance is spot on throughout. All around this is an excellent audiobook. If you've got as far as checking out this book it's definitely one for your virtual audio bookshelf. I loved it and it's an easy one to recommend.

When I finished the book I bought my husband a print copy, which he got through in a day. It's that sort of book - one you want to share with all of your reader friends, regardless of format. It's a very entertaining, enjoyable read.

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esto le resultó útil a 11 personas

6 stars each for the author, translator & narrator

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 12-10-16

There's a quality of magic about this novel. It started with Wieringa's story. From start to finish, through translation and narration the magic has remained.

You know the sort of book you didn't think much about but when you picked it up you couldn't put it down again until it was finished, absorbed, dwelt upon and teased apart? This is that book.

There are two stories to this book. One is that of Pontus Beg, the Police Commissioner of a town near the border of the Steppes. It's a town full of darkly satirical circumstances. It is very funny and at times not a little disturbing.

The second story is of a group of migrants travelling through the Steppes. They were taken to the border, pointed in a direction & told if they walk in that direction, in a short time they would arrive at a city. The city never materialises and they are left wandering without food or shelter.

When the two plots meet someone is dead It's left to Commissioner Beg to investigate who the migrants are, where they've come from & who killed the dead man.

This story has a feeling about it distinct from all other authors. The only near comparison I can make is with fellow Dutch author Cees Nooteboom. Wieringa's chosen subject is very close to home in 2016 and for all the feel of magic the story has its feet are firmly on solid ground.

I loved the translation. Without knowing what the original Dutch version was like I feel that Garrett's translation captured an incredible atmosphere.

As for the narration - Arthur Morley was very well cast. He maintains & builds the atmosphere suggested by Wieringa & Garrett. On top of that he's great to listen to, through the humour and through the darkness. It's another great performance from Morley.

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esto le resultó útil a 5 personas

Durán exceptional as voice of Neruda

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 11-02-16

I haven't ventured into poetry before, apart from a bit of Shakespeare, but this is awesome & was a great place to start. It's beautiful, often heart-melting and occasionally very funny (check out The Insect). It's a very accessible introduction to poetry from the pen of a Nobel Laureate.

I have no idea how one translates poetry into another language while retaining the meaning, the meter and the rhyme. Donald D Walsh has worked a kind of magic here.

Meanwhile Durán's performance is outstanding. His understanding of the flow of each poem makes it easy for a first time reader to consume and he's an absolute pleasure to listen to. As much as Neruda's writing & Walsh's translation, Durán makes this collection an unforgettable joy.

I'm definitely going to re-read this again, more than once.

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esto le resultó útil a 3 personas

Marred by poor production quality

Total
4 out of 5 stars
Ejecución
2 out of 5 stars
Historia
5 out of 5 stars

Revisado: 10-17-16

Two wonderful folk-tale-like stories from the pen of an incredibly talented author. These two stories are superb.

The audio, however, is of extremely poor quality. It isn't anywhere near to the quality of most books sold by Audible. It's a shame as the stories themselves are beautiful.

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esto le resultó útil a 5 personas

One of my favourites of 2016

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 10-11-16

In a modern magical realist style all his own Derek Palacio's debut novel is a brilliant story.

It's hard to know what to expect from a debut novel, though Palacio has produced short stories and a novella in the past, so he's no novice. This debut novel blew my mind.

Right from the first sentences I was aware this was going to be a good one. I'd seen reviews elsewhere giving high star ratings but the reviews suggesting there were faults. I kept waiting for something to go wrong - nothing ever did. It's a beautiful story and Palacio doesn't miss a beat.

The style is simple and I find it hard to put my finger on exactly what makes this book so great but the simple prose is part of it. Palacio's style follows in the steps of great Latin American magical realist authors before him, though this lands more on the realist side of the scale. If you've read and enjoyed magical realist authors in the past I'm confident you'll enjoy this one as well. It's a compact version of the style, not winding out into generations as some do, and it's set in a more modern era than most, beginning in the 1980s.

I also have a great deal of praise for William DeMerritt's narration. Spot on. It's always wonderful to have a truly great narrator paired with a truly great book. More than icing on a cake, the narrator can make or break a novel. DeMerritt makes it.

If you enjoy magical realism, if you enjoy literary fiction this is for you. Don't be put off if you don't usually read either of these categories. A story with a Cuban setting (it moves between the US & Cuba) is a rare find and if it piques your interest, dive right in. It's a very accessible novel and a highly enjoyable one.

This is one of my favourite reads of 2016.

If you're interested in some of my other favourites for this year I recommend Reputations by Juan Gabriel Vasquez, A Whole Life by Robert Seethaler, Here Comes the Sun by Nicole Denis-Benn, Hot Milk by Deborah Levy, What Belongs to You by Garth Greenwell and The Glorious Heresies by Lisa McInerney.

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esto le resultó útil a 3 personas

Overhyped

Total
2 out of 5 stars
Ejecución
5 out of 5 stars
Historia
2 out of 5 stars

Revisado: 08-27-16

Prentice Oyemi's narration is stunning. He does such an incredible job moving between African, American, male and female characters. His performance is just beautiful.

I am a reader who prefers description and character development over plot. Unfortunately the writing is very flat, the story never gets going and it's message was lost in artificiality. Every time the I thought the story would pick up it fell away again. Overall I was very disappointed.

Neni is the best developed of the characters and the one scene, too far toward the end of the book, where we see her passion for her education was too little too late. That was the highlight of the book for me, but it wasn't nearly enough.

Jende was never developed enough, neither was his son, his employers or friends.

The book has been massively overhyped with Buzzfeed calling it a must read book of the summer. There are many, much better books that have been published in 2016 (I recommend Here Comes the Sun, by Nicole Denis-Benn) or by authors who are originally from African countries (try Chimamanda Ngozi Adichie as one of the best).

For people who have been interested to read this book having seen the hype over it I would instead recommend authors such as Adichie, or to Jhumpa Lahiri, Khaled Hosseini, Zadie Smith, and to the lesser known, emerging authors such as Nicole Dennis-Benn and Chigozi Obiama. All of these authors have written better examinations of topics similar to what has been attempted here by Imbolo Mbue.

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esto le resultó útil a 81 personas

Entertaining but forgettable

Total
3 out of 5 stars
Ejecución
5 out of 5 stars
Historia
3 out of 5 stars

Revisado: 08-24-16

If you are looking for something light, attention grabbing, and slightly unusual don't pass this by. It has high entertainment value and is very difficult to put down.

The characters are beautifully written. I couldn't help but feel sorry for Bonnie. She's painfully suggestible. And her parents (her father especially) are absolutely awful people! Moore did a reasonably good job of keeping us in the dark about Sylvia Slythe's history, only giving us information on a drip feed.

Imogen Church really sells this one. Her narration is spectacular. The accent she gives each character in the novel is gorgeous - she's absolutely nailed them, giving them a comedic value they deserve. I suspect it's a far more compelling book in audio than it would be in print.

Some reviews I've seen suggest the novel has psychological and/or literary depth. Don't expect much of either here. The literary references are from Bonnie's unwritten dissertation. In a more literary read these would form the bones of something greater. Here they are just a list. And the psychological references form Sylvia's motivation, but they aren't taken to any depth.

It's a lovely distraction, though not a memorable book. I expected something a little more literary but in all it's a good read.

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What Belongs to You Audiolibro Por Garth Greenwell arte de portada

Intimate Narration of a Powerful Novel

Total
5 out of 5 stars
Ejecución
4 out of 5 stars
Historia
5 out of 5 stars

Revisado: 08-05-16

Garth Greenwell's quiet but urgent style is superb and this, his debut, is stunning in every respect. His novel is a profound dissection of a character caught between desire and morality.

A young American man is working as a teacher in Bulgaria. There he meets and becomes infatuated with a young man named Mitko. Initially the two develop an intense relationship that exists at the axes of shame and desire.

Thereafter follows a period of self reflection which includes recollections shameful, humiliating, and alienating. Greenwell fearlessly confronts the difficulties of a young gay man coming to know himself with a genuineness that is humbling to the reader.

Lately, poet-novelists such as Garth Greenwell are forming the base of my favourite contemporary storytellers. They often bring a lyricism to their storytelling that weaves well with the audio form. Audio seems the perfect format in which to experience these authors. I'm deeply fond of Garth Greenwell's creation as told by Piter Marek, whose narration is intimate, sincere and perfect.

There has been much praise calling Greenwell's book "The Great Gay Novel". I think it stands with E. M. Forster's "Maurice", and with the novels of Alan Hollinghurst and David Leavitt. I'm very surprised to see it left off the Man Booker long list for this year; to me it's definitely one of the highlights of the past year and won't soon be forgotten.

This is a must read for people interested in LGBT fiction or anyone interested in fine literature.

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esto le resultó útil a 7 personas

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