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Chase Arthur is a budding animator and hopeless romantic obsessed with Disney films and finding his true love, but he’s plagued with the belief that he’s not enough for anyone: he’s recovering from an eating disorder and suffers from body dysmorphia fuelled by his father and can’t quite figure out his gender identity. When Chase starts his freshman year of college, he has to navigate being away from home and missing his sister, finding his squad and contending with his ex-best friend, Leila, who is gunning for the same exclusive mentorship.

On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They're going to die today. Mateo and Rufus are total strangers, but, for different reasons, they're both looking to make a new friend on their End Day. The good news: There's an app for that. It's called The Last Friend, and through it Rufus and Mateo are about to meet up for one last great adventure - to live a lifetime in a single day.

Charlie Renfrew is too busy and too broke for a love life. There's no room in a schedule crammed with university, a full-time job, music, and his very committed relationship with overthinking. Hence the dating ban. Which is exactly when Ben Campbell shows up with his piercings, quirky knits, and indie rock fame. But maybe it's time for Charlie to trade caffeine for something hotter, blonder, and completely out of his comfort zone. Gorgeous, funny men don't happen to Charlie. Not like this. Even if it's ill-timed and too bloody complicated. But maybe a quick shag won't hurt . . .

Since their mother's death, Carter and Sadie have become near strangers. While Sadie has lived with her grandparents in London, her brother has traveled the world with their father, the brilliant Egyptologist, Dr. Julius Kane. One night, Dr. Kane brings the siblings together for a "research experiment" at the British Museum, where he hopes to set things right for his family. Instead, he unleashes the Egyptian god Set, who banishes him to oblivion and forces the children to flee for their lives.

Ben survived freshman year of college, but he’s feeling more stuck than ever. His classes are a slog, his part-time job working with his father is even worse, and his best friend Dylan’s been acting weird for weeks. Ben’s only real bright spot is his writing partner Mario, who’s been giving him a lot of Spanish lessons and even more kisses. Mario’s big Hollywood dreams make Ben start to dream bigger - and the choices he makes now could be the key to reshaping his future. So why can’t he stop thinking about a certain boy from his past?

Arthur is only in New York for the summer, but if Broadway has taught him anything, it’s that the universe can deliver a showstopping romance when you least expect it. Ben thinks the universe needs to mind its business. If the universe had his back, he wouldn’t be on his way to the post office carrying a box of his ex-boyfriend’s things. But when Arthur and Ben meet-cute at the post office, what exactly does the universe have in store for them? Maybe nothing. After all, they get separated. Maybe everything. After all, they get reunited.

Luc O'Donnell is tangentially - and reluctantly - famous. His rock-star parents split when he was young, and the father he's never met spent the next 20 years cruising in and out of rehab. Now that his dad's making a comeback, Luc's back in the public eye, and one compromising photo is enough to ruin everything. To clean up his image, Luc has to find a nice normal relationship...and Oliver Blackwood is as nice and normal as they come. He's a barrister, an ethical vegetarian, and someone who has never inspired a moment of scandal in his life. He’s perfect boyfriend material.

It was one of the most searing images of the twentieth century: two young boys, two princes, walking behind their mother’s coffin as the world watched in sorrow—and horror. As Princess Diana was laid to rest, billions wondered what Prince William and Prince Harry must be thinking and feeling—and how their lives would play out from that point on.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Laurie and Sasha have built a bright new world together. Sasha is working for the Immigration Guidance Council, and Laurie is landing theatre roles he could once only have dreamed of. Best of all, they've spent the past two years enjoying the love they snatched from the jaws of Sasha's violent, dangerous past. But Laurie has a history too. He's on edge, his talents increasing beyond his ability to deal with them.