David Smith

For more than ten years, Diablo has been one of PC gaming’s iconic and blockbuster franchises, with millions of players experiencing to this day all the adventure and terror in the world of Sanctuary. Now, to tie-in with the long-awaited release of Blizzard Entertainment’s all-new game, Diablo III, the original novel Deckard Cain will bridge the untold story of one of Diablo’s most popular characters.

When we were children, we dreamed of being heroes. We wanted to slay dragons and defeat the monsters that scared us. As we grew older, we were forced to try and find our monsters. We had been told they would be easy to spot. Monsters had too much teeth, too much fur, too much size. These were lies. We stopped wanting to be heroes. We started to want to be more, to be too much. We wanted, needed, more than the world could give us. We wanted more than what we were told we should be. We wanted to become monsters.

What happens when the haggling is done and the shops are closed? When the quest has been given, the steeds saddled, and the adventurers are off to their next encounter? They keep the world running, the food cooked, and the horses shoed, yet what adventurer has ever spared a thought or concern for the Non-Player Characters? In the town of Maplebark, four such NPCs settle in for a night of actively ignoring the adventurers drinking in the tavern when things go quickly and fatally awry.

It was the end of World War II. FDR's New Deal had redefined American politics. Taxes were at an all-time high. The bombing of Hiroshima and Nagasaki had created a fear of total annihilation. The rise of secret government agencies and sanctions on business had many watching their backs. America's sense of freedom was diminishing... and many were desperate to take that freedom back.

"Where have all the dragons gone?" Explore the crazy, creepy land called Discworld, where you'll discover that the dragons aren't asleep or dead - they're dormant, packed in like huge, scaly sardines.