Patrick M.

At the dawn of World War I, a young academic named John Maynard Keynes hastily folded his long legs into the sidecar of his brother-in-law’s motorcycle for an odd, frantic journey that would change the course of history. Swept away from his placid home at Cambridge University by the currents of the conflict, Keynes found himself thrust into the halls of European treasuries to arrange emergency loans and packed off to America to negotiate the terms of economic combat.

Greg Donahue’s The Minuteman, tells the story of one of Newark’s native sons; ex-prizefighter and longtime Zwillman enforcer Sidney Abramowitz, a.k.a. Nat Arno, who took over leadership of the Minutemen in 1934 and made it his personal business to put an end to what he saw as the Bund’s “anti-American” activities. For six years, Arno and his crew of vigilantes battled Newark’s Nazis at every turn. The Minuteman is a story of the ethics of violence in the face of fascism; a forgotten legacy that is as relevant now as it was nearly a hundred years ago.

The murder of Abraham Lincoln set off the greatest manhunt in American history, the pursuit and capture of John Wilkes Booth. From April 14 to April 26, 1865, the assassin led Union cavalry and detectives on a wild 12-day chase through the streets of Washington, D.C., across the swamps of Maryland, and into the forests of Virginia, while the nation, still reeling from the just-ended Civil War, watched in horror and sadness.