Deborah

In the midst of what should be an effulgent time of life, with its days bright with music, family, and rowing on the Seine, Jules is confronted headlong and all at once by a series of challenges to his principles, livelihood, and home, forcing him to grapple with his complex past and find a way forward. He risks fraud to save his terminally ill infant grandson, matches wits with a renegade insurance investigator, is drawn into an act of savage violence, and falls deeply, excitingly in love with a young cellist who is a third his age.

Haunted by an unmet promise, the Swart family loses touch after the death of their matriarch. Adrift, the lives of the three siblings move separately through the uncharted waters of South Africa; Anton, the golden boy who bitterly resents his life’s unfulfilled potential; Astrid, whose beauty is her power; and the youngest, Amor, whose life is shaped by a nebulous feeling of guilt.

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup, bringing in an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDS epidemic grows around him. One by one, his friends are dying and after his friend Nico's funeral, the virus circles closer and closer to Yale himself. Soon the only person he has left is Fiona, Nico's little sister.

In The Keeper of Lost Causes, Jussi Adler-Olsen introduced Detective Carl Mørck, a deeply flawed, brilliant detective newly assigned to run Department Q, the home of Copenhagen’s coldest cases. The result wasn’t what Mørck - or readers - expected, but by the opening of Adler-Olsen’s shocking, fast-paced follow-up, Mørck is satisfied with the notion of picking up long-cold leads. So he’s naturally intrigued when a closed case lands on his desk: A brother and sister were brutally murdered two decades earlier....

After the fall of Summerland, Jane McKeene hoped her life would get simpler: Get out of town, stay alive, and head west to California to find her mother. But nothing is easy when you’re a girl trained in putting down the restless dead, and a devastating loss on the road to a protected village called Nicodemus has Jane questioning everything she thought she knew about surviving in 1880s America.

A Lincoln Navigator carries three well-dressed people through the barren New Jersey salt flats. The trip is uncomfortable but necessary. Their target has no phone, certainly no email, and never answers his mail. But August Jorgenson is no country bumpkin. Before retiring, he was one of the most famous judges in the country, and only opinions like his fierce opposition to the death penalty kept him from a seat on the Supreme Court.

The year is 1968 and James Earl Ray has just shot Martin Luther King, Jr. For two months he evades authorities, driving to Canada, securing a fake passport, and flying to London, all while relishing the media's confusion about his location and his image on the FBI's Most Wanted list. Eventually he lands at the Hotel Portugal in Lisbon, where he anxiously awaits a visa to Angola. But the visa never comes, and for his last 10 days of freedom, Ray walks around Lisbon, paying for his pleasures and rehearsing his fake identities.

In this third Neapolitan novel, Elena and Lila, the two girls whom were first introduced in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons.