Matthew Dolan

February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.”

This Psych 312 assignment just might send me off the deep end. Determining whether love at first sight really exists with Robbie Moravian as my project partner of all people? He’s the sappiest man alive, so upbeat I could scream, and clearly rooting for happy endings at every turn. How does he not learn from experience considering our own meet-cute last semester almost got us expelled? But we both need to pass this course to graduate. So we’re interviewing five random couples about their meet-cutes and relationships and spending all this time together. Which is certainly...educational.

Dr. Briana Ortiz’s life is seriously flatlining. Her divorce is just about finalized, her brother’s running out of time to find a kidney donor, and that promotion she wants? Oh, that’s probably going to the new man-doctor who’s already registering eighty-friggin’-seven on Briana’s “pain in my ass” scale. But just when all systems are set to hate, Dr. Jacob Maddox completely flips the game . . . by sending Briana a letter. And it’s a really good letter. Like the kind that proves that Jacob isn’t actually Satan.

Summer has come to Niflheim. The lichens are growing, the six-winged bat-things are chirping, and much to his own surprise, Mickey Barnes is still alive—that last part thanks almost entirely to the fact that Commander Marshall believes that the colony’s creeper neighbors are holding an antimatter bomb, and that Mickey is the only one who’s keeping them from using it. Mickey’s just another colonist now. Instead of cleaning out the reactor core, he spends his time these days cleaning out the rabbit hutches. It’s not a bad life. It’s not going to last.

High adventure and dark mystery combine in a sparkling historical romance, by Jodi Taylor writing as Isabella Barclay from The Chronicles of St. Mary's. Bascombe, widowed and tied to an impoverished estate, has learned to ask little of life. With no hope of leaving, the years have passed her by. Lord Ryde, exiled abroad after a scandal, has returned to strip his estate and make a new start in America.

The identity of Elizabeth Cage has always been a mystery. Even she doesn't know who, or what, she is. But she's learned to live with it. Until now, when what should have been a peaceful holiday turns into anything but, and Elizabeth is forced to recognise that she isn't what she seems. But neither is anyone else. Has her whole life been a lie? Someone very badly wants to know the truth about Elizabeth Cage. And they'll do anything to find out. But who will live to regret it?

Betrayed, terrified and alone, Elizabeth Cage has fled her home. With no plan and no friends, she arrives at the picturesque village of Greyston and finds herself involved in an ages-old ceremony that will end in death. And that might be the least of her problems - the Sorensen Institute would very much like to know her whereabouts. And Michael Jones is still out there, somewhere, she hopes. No matter how far and how fast she can run, trouble will always find Elizabeth Cage.

How can Anna Ellis, a geeky, brilliant, and hopelessly smitten cosmetic chemist possibly win over Craig Kimball, the man of her dreams—who also happens to be her boss? The answer is Craig’s empathetic (and handsome) CEO half brother, Marco. The makeup mogul knows Craig for the ridiculously competitive rival he is. Whatever Marco has, Craig wants. That can be Anna, if she’s game to play. All Anna and Marco have to do is pretend they’re falling in love and let the rumors begin.

Finding an old manuscript in the attic has always been a fantasy of Sylvia’s. She just never expected the fantasy to come true, or for it to lead her to answers about her mysterious family.

When Nina Linden is hired to landscape a private island off the New England coast, she sees it as her chance to rebuild her failing business after being cheated by her unscrupulous ex. She never expects that her new client, software mogul Deacon Whitney, would see more in her than just a talented gardener. Deacon has paid top dollar to the crews he’s hired to renovate the desolate Whitney estate - he had to, because the bumps, thumps, and unexplained sightings of ghostly figures in 19th-century dress are driving workers away faster than he can say “Boo.”