Judith

Motherhood isn’t easy, especially when you’re a mother of a Black son. Ten years ago, Cheryl jumped at the chance to send her son, Javonte, to an exclusive boarding school in New England - far away from Atlanta and the violence of the city streets. It was the American dream, or was it? Now settled in Vermont, Javonte is married and well-employed, but Cheryl hardly ever sees him, and when she does, her own son seems like someone she only used to know.

Shasa Courtney, heir to the Courtney fortunes, dreams only of uniting his divided, beloved country. Against all his principles, he allows his half brother Manfred to persuade him to join South Africa's right-wing National Party, hoping to moderate from within their dangerous policies of apartheid. But Shasa's wife is working against everything he's working for while Manfred has deadly secrets he cannot afford to be revealed, either to his family or the public who are on the brink of war.

Of all of John Irving's books, this is the one that lends itself best to audio. In print, Owen Meany's dialogue is set in capital letters; for this production, Irving himself selected Joe Barrett to deliver Meany's difficult voice as intended. In the summer of 1953, two 11-year-old boys – best friends – are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary and terrifying.