OYENTE

Amazon Customer

  • 4
  • opiniones
  • 0
  • votos útiles
  • 51
  • calificaciones

Wow!

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
4 out of 5 stars

Revisado: 01-20-24

I was expecting a behind-the-scenes look at the making of HP. It is that, but much more! I grew to feel like Tom was a friend by the end. His book is a tender, brave, and funny memoir about the wizarding world and the magic of being vulnerable, authentic, and kind.

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My comfort audio drama

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 02-26-23

I’ve listened to all the episodes at least 3x if not more. I just love the stories and the characters.

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Tedious and confusing

Total
2 out of 5 stars
Ejecución
4 out of 5 stars
Historia
2 out of 5 stars

Revisado: 07-03-22

The politics and plot in this one feel forced and it takes a long time for little to happen. The last few chapters were really weird and I’m not sure they were necessary to tell a good story. Tiger, Dell, and the world building are what keep me here. I hope the next one has more swordplay and less magic.

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Airhead Juliet

Total
2 out of 5 stars
Ejecución
2 out of 5 stars
Historia
5 out of 5 stars

Revisado: 07-04-14

Who was your favorite character and why?

I love Mercutio and Benvolio because they seem to be underappreciated side characters. Mercutio's wit makes me laugh, as does his teasing of Romeo. In truth, I appreciate all the characters in their own ways--each of them has at least one good line, and altogether they make an engaging cast.

How did the narrator detract from the book?

I think Juliet is one of Shakespeare's most interesting female characters because of her complexity. Of course she loves Romeo, but in the beginning she also tells him that she doesn't just want their romance to be a momentary passion; she also has doubts about going through with Friar Lawrence's plan to give her an artificial death. Unfortunately, the Juliet in this audiobook is really... airy. She intones everything in the same sing-song, la-di-dah, so-in-love tone that doesn't do any justice at all to the passion of her dialogue. And when she does manage to do some other emotion than doe-eyed adoration, it's misplaced, too little too late. The performance of Mercutio seemed equally lackluster to me--monotonous and disdainful rather than witty and quick.

Any additional comments?

If you want a better performance (or, at least, a more lively one) try the Romeo and Juliet with Michael Sheen and Kate Beckinsale. I prefer that one vastly over this one.

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