OYENTE

George C. Grasso

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Favorite nonfiction narration/book

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 06-23-23

Favorite nonfiction book, though it almost reads like a novel because of Caro’s impressively elaborate but tactful prose. The narration is a biting, sardonic, and disdainful provocation on and of Moses from a-z, while at the same time, inherently explaining the real calculus of power neatly threaded with an eloquent commentary on the foolishness of man.

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Violently Bleeding with Honesty and Sincerity

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 04-24-23

This is easily one of the most honest and sincere memoirs that I’ve ever read or listened to. It is pregnant with general wisdom, hilarious and harrowing anecdotes, and driven by compassion. It’s true to NYC. As great a motivational tale within the beautiful chaos that gripped NYC for so many years.

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Cook lays it down; Trumbo was true salt of the earth

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 02-20-23

Throughout Cook’s examination of Trumbo, there’s a lingering question about whether Trumbo could have been more prolific in his work had he played some of his cards differently. The question even seems to nag a bit for someone like me, being fairly familiar with, and fond of, Trumbo’s work. Although never specifically addressed by Cook, in an organic fashion that may not have been intended, I think that Cook’s talent shines through in vailing the entire story with an implicit rebuke to this explicit underlying question—Sure, Trumbo could have been a more prolific novelist or he could have been an excellent press secretary or an excellent journalist, and so on, with no real end in sight—Trumbo was an exceptionally dynamic man...he was brilliant, cunning, and calculating…but he lived a meaningful life, an examined life, as far as any person may so understand. That’s the rebuke. We should all be so fortunate; we should all be so aspirational and driven. In my view, the penned perspective of Trumbo’s life herein is the only compendium needed to “Johnny Got His Gun” and the catalogue of Trumbo’s professional output, rendering the proliferation question moot. Trumbo is an American icon and shouldn’t be forgotten or neglected. Yet, if you’ve checked out some of the writing credits for various “black list” films of the time on Wikipedia, it appears that that’s exactly what’s happening. And that’s all the more reason why I felt compelled to write this review.

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