FDC

Grace Evans, an overworked New Yorker looking for a total escape from her busy life, books an Airbnb on a ranch in the middle of Wyoming. When she arrives at the idyllic getaway, she’s pleased to find that the owner is a handsome man by the name of Calvin Wells—and he’s eager to introduce her to his easygoing way of life. But there are things Grace discovers that she’s not too pleased about: A lack of cell phone service. A missing woman. And a feeling that something isn’t right with the ranch.

For fans of Gone Girl and The Girl on the Train, an electrifying thriller that will take you into the dark spaces that exist between a husband and a wife. When the police started asking questions, Jean Taylor turned into a different woman. One who enabled her and her husband to carry on, when more bad things began to happen... But that woman’s husband died last week. And Jean doesn’t have to be her anymore. There’s a lot Jean hasn’t said over the years about the crime her husband was suspected of committing.

Author Grady Green is having the worst best day of his life. Grady calls his wife to share some exciting news as she is driving home. He hears Abby slam on the brakes, get out of the car, then nothing. When he eventually finds her car by the cliff edge the headlights are on, the driver door is open, her phone is still there. . . but his wife has disappeared. A year later, Grady is still overcome with grief and desperate to know what happened to Abby. He can’t sleep, and he can’t write, so he travels to a tiny Scottish island to try to get his life back on track. Then he sees the impossible.

A woman’s slashed, incinerated corpse is found in a seedy New Orleans apartment. Her killer is certain there were no witnesses, unaware that his every move was seen by a beautiful stranger—from her bed in a bayou cottage on the outskirts of town. Weeks later, another violent vision shatters Olivia Benchet’s sleep. Convinced a serial killer is stalking the city, Olivia turns to the authorities. But jaded detective Rick Bentz doesn’t believe her—even when a second body turns up, slain in exactly the same bizarre, ritualistic manner Olivia described....

Nine strangers receive a list with their names on it in the mail. Nothing else, just a list of names on a single sheet of paper. None of the nine people know or have ever met the others on the list. They dismiss it as junk mail, a fluke—until very, very bad things begin happening to people on the list. First, a well-liked old man is drowned on a beach in the small town of Kennewick, Maine. Then, a father is shot in the back while running through his quiet neighborhood in suburban Massachusetts. A frightening pattern is emerging, but what do these nine people have in common?

Selena Murphy is commuting home on the train when she strikes up a conversation with a beautiful stranger in the next seat. The woman introduces herself as Martha and soon confesses that she’s been stuck in an affair with her boss. Selena, in turn, confesses that she suspects her husband is sleeping with the nanny. When the train arrives at Selena’s station, the two women part ways, presumably never to meet again.

The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die. Laura hasn’t had it easy: she's survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn't love talking to people worse off than she is. She craves it. But now someone’s on to her - Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger.

Amber wakes up in a hospital. She can't move. She can't speak. She can't open her eyes. She can hear everyone around her, but they have no idea. Amber doesn't remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from 20 years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of bourbon, she passes the time watching Tom and Katherine Royce, the glamorous couple living in the house across the lake. They make for good viewing—a tech innovator, Tom is powerful; and a former model, Katherine is gorgeous.

England, 1940. Literature student Ruth Gladstone evacuates Cambridge University for Martynsborough, a tiny English village with a shadowy history. For Ruth, retreating to a forgotten corner of the country is more than a safety maneuver; it’s an opportunity to end an undesirable engagement and begin writing her first novel. But upon her arrival, Ruth learns of a ghostly wraith haunting the villagers after decades of silence. Although Ruth is enthralled by the legend, the locals are less charmed by the wraith’s return.