OYENTE

Michael G Kurilla

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Corum finish his quest to beat the cold

Total
3 out of 5 stars
Ejecución
4 out of 5 stars
Historia
3 out of 5 stars

Revisado: 07-07-25

Michael Moorcock’s The Sword and the Stallion completes his second Corum trilogy and brings closure to all the hints and prophecies that peppered the earlier installments. As the cold continues its relentless march across the human lands, Corum and the dwarf giant’s sibling venture to a strange island in search of aid for their battle with the cold creatures. What they find is more monsters not of this plane that can alter time and space. Corum eventually escapes and saves the day, but gradually all the prophecies come home to roost.

Moorcock relies on a bit of deux ex machina for resolving all the traps that Corum rushes headstrong into. In the end Corum is a transitional hero that does away with all the gods that get in the way of humans dominating their plane of existence.

The narration is of a dramatized type with lots of background sounds (horses clomping, music, and lots of grunting), as well as a clear theatrical style sometimes bordering on histrionic.

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Returning the king to launch the attack

Total
3 out of 5 stars
Ejecución
4 out of 5 stars
Historia
3 out of 5 stars

Revisado: 07-06-25

Michael Moorcock’s The Oak and the Ram is the second volume in his follow-on Corum trilogy. The monsters that bring winter to the land are gaining more and more power and ground. The humans need to unite to respond, but the uber king of the humans has been ensorcelled and believes himself to be a sheep. Corum commits to bringing the king back. With the aid of an invisibility cloak, he manages to retrieve the king. Fortunately, his dwarf giant friend can carry the king off.

Moorcock continues to have Corum play the ‘white knight’ role to humans who seem ambivalent about fighting extinction. He also drops hints that Corum’s time is running out or rather that his time is passing as humanity takes the reins.

The narration is of a dramatized type with lots of background sounds (horses clomping, music, and lots of grunting), as well as a clear theatrical style sometimes bordering on histrionic.

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Start fo a new adventure for Corum

Total
3 out of 5 stars
Ejecución
4 out of 5 stars
Historia
3 out of 5 stars

Revisado: 07-06-25

Michael Moorcock’s The Bull and the Spear is the start of a new trilogy for Corum. This takes place many years after his prior adventures. While immortal himself, his wife and other companions have passed away. He has fashioned a silver hand to replace his lost left hand. He responds to a call from humans on another plane which is the future. This plane is plagued by monsters, including demonic dogs that create a constant winter. Corum meets a non-human who can make weapons. He obtains a spear and calls on a bull to defeat one of the seven monsters to earn some respite.

Moorcock introduces a number of prophecies that will play out in later installments. Corum, ever the reluctant hero, nevertheless always attempts to do right by the humans he allies himself with. As with the first trilogy, another love interest begins.

The narration is of a dramatized type with lots of background sounds (horses clomping, music, and lots of grunting), as well as a clear theatrical style sometimes bordering on histrionic.

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Time relieve the last five planes of Chaos

Total
3 out of 5 stars
Ejecución
4 out of 5 stars
Historia
3 out of 5 stars

Revisado: 07-05-25

Michael Moorcock’s The King of the Swords is the final installment in his Swords of Corum trilogy. After his last battles that eliminated Chaos from five more planes, and with only five planes left to free, a spell falls over the land making all humans overly aggressive and fighting with one another. Corum sets out for the final five planes. He encounters variations of himself as eternal champions. He also runs into the god from whom his hand was taken (the eye belonged to the god’s brother). Corum engages him in his battle against the Chaos king. Finally, Corum gets his revenge against the human who took his hand and eye back in the beginning.

Moorcock adds some interesting settings, including the vanishing tower that travels between planes. There is some explanation regarding the gods of law and chaos, but for the most part, they all appear to be rather arbitrary and whimsical begins the question of why they even bother with humans.

The narration is of a dramatized type with lots of background sounds (horses clomping, music, and lots of grunting), as well as a clear theatrical style sometimes bordering on histrionic.

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Working his way up the chain

Total
3 out of 5 stars
Ejecución
3 out of 5 stars
Historia
4 out of 5 stars

Revisado: 07-04-25

Michael Moorcock’s The Queen of the Swords is the second installment in his Corum series. Corum now proceed to the second set of five planes overseen by a queen. This requires lots of traveling with places to go and people to meet. Corum picks up a sidekick who is a ‘professional’ attendant to champions. He brings with him a cat that can fly and he always wears a hat. Corum also continues to accu-mulate enemies that he cannot seem to get rid of permanently.

Moorcock maintains his style, but manages to come up with creative geographies, interesting allies of Chaos, and complicated, but clever solutions to saving the day (or at least five planes worth).

The narration is of a dramatized type with lots of background sounds (horses clomping, music, and lots of grunting), as well as a clear theatrical style sometimes bordering on histrionic.

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Traditional sword and sorcery fantasy

Total
4 out of 5 stars
Ejecución
3 out of 5 stars
Historia
4 out of 5 stars

Revisado: 07-03-25

Michael Moorcock’s The Knight of the Swords is the initial volume in his Corum series and the first of the Swords trilogy. Humans are becoming abundant in the lands and the gods of Chaos have become ascendant. Corum’s people are wiped out by a band of marauding humans, and he barely escapes af-ter losing an eye and a hand. From there a series of adventures takes place where he gets replacement parts and must take on the Knight of the Swords to free the first five of fifteen planes from the clutches of Chaos.

Moorcock offers a reluctant hero, forced to become a vicious killer in between lamentations for his lost people. There is a good mixture of swords and sorcery with nearly nonstop action. Humans are presented in a conflicted light with Corum developing a special bond with some and loathing others.

The narration is of a dramatized type with lots of background sounds (horses clomping, music, and lots of grunting), as well as a clear theatrical style sometimes bordering on histrionic.

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Post collapse

Total
4 out of 5 stars
Ejecución
5 out of 5 stars
Historia
3 out of 5 stars

Revisado: 07-03-25

Adrian Tchaikovsky’s novella, The Expert System’s Brother is a short tale of a post collapse world. People live in small villages connected to each other in an unclear manner with a designated sham-an/medicine man type who interfaces with what appears to be an AI system. One young boy is ‘severed’ from the group and must wander. He soon discovers much more in the world than he imagined as well as a group who are attempting to rediscover the lost science and engineering.

Tchaikovsky offers a few creative elements to an otherwise well-worn sci-fi theme. There just didn’t seem to be enough for a fully fleshed novel. Narration is good with decent character distinction. Pacing is smooth.

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Human diaspora after ruining Earth

Total
4 out of 5 stars
Ejecución
5 out of 5 stars
Historia
4 out of 5 stars

Revisado: 07-02-25

Gareth L Powell’s Stars and Bones is a standalone tale and the first installment in his Continuance series. Earth is about to self-annihilate itself while a superior alien intelligence observes, but at the last minute a human scientist was able to demonstrate wormhole technology and earned salvation in the process. This required abandoning Earth in a series of alien manufactured arkships. One ship off exploring runs into trouble which ends up contaminating other ships. Solving this crisis requires reconnecting with their alien saviors and discovering a new form of intelligent life.

Powell offers a unique take on first contact with Earth nearly obliterating itself before the revelation of other intelligences in the universe. The Arkship offers a post-singularity universe while retaining the ability to choose any preferred lifestyle. Along with humanity heading out in all directions, this basic setup should provide fodder for plenty of follow-on tales.

The narration is great with excellent character distinction. Pacing is smooth.

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Monster buddy tale

Total
3 out of 5 stars
Ejecución
4 out of 5 stars
Historia
3 out of 5 stars

Revisado: 07-01-25

John Wiswell’s Someone You Can Build a Nest In is a romance/buddy fantasy tale. A monster, regarded as a worm, that requires a host to lay eggs within is hunted by the local population. The monster is befriended by a local, the daughter whose family believes it has been cursed by the monster after sustaining some injuries. What follows is a series plot twists, betrayals, and secret identities that ends with a platonic relationship intact.

Wiswell crafts a classic ‘buddy’ tale with a blend of asexual romance and secret identities. The plot twists are numerous as few characters are how they initially appear. The worm’s backstory is noticeably sparse.

The narration is good with adequate character distinction. Pacing is smooth.

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High fantasy in a medieval setting

Total
3 out of 5 stars
Ejecución
4 out of 5 stars
Historia
3 out of 5 stars

Revisado: 07-01-25

Kate Elliott’s King’s Dragon is a high fantasy tale of the sword and sorcery subgenre set in a mythical setting akin to medieval Europe. There is internal dissension within the main kingdom, while elf-like creatures from the north threaten. Royal succession is in question as well. The story unfolds through the eyes of two youngsters who both undergo uncertainty and upheaval in their lives.

Elliott combines the major theme inherent in high fantasy sword and sorcery tales, although the magic is a bit light. The narrative from the perspectives of two young individuals without major roles offers a unique angle that makes for a compelling listen.

The narration is decent with adequate character distinction. Pacing is a tad slow.

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