S. Claeys, Athens, GA

Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah - its former owner (protector? friend?) - submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who's going to believe a SecUnit gone rogue? And what will become of it when it's caught?

Mags, a young Herald trainee in Haven, the capital city of the kingdom of Valdemar, has talents not commonly found in Herald trainees.

Recognizing this, the King's Own Herald decides to train Mags as a spy in order to uncover the secrets of a mysterious new enemy who has taken an interest in Mags himself. Why is the even deeper mystery. The answers can only be found in the most unexpected corners of Mags' past...assuming he can live long enough to find them.

In this chronicle of the early history of Valdemar, Mercedes Lackey's best-selling world, a 13 year-old orphan named Magpie escapes a life of slavery in the gem mines when he is chosen by one of the magical Companion horses of Valdemar to be trained as a Herald. Thrust into the center of a legend in the making, Magpie discovers talents he never knew he had - and witnesses the founding of the great Heralds' Collegium.

The only favor the aliens do for Clint Beecham when they abduct him is give him a shirt that says "Do Not Eat" on it in their language. He’s told that as a physicist, he is to be reserved, along with five other scientists, for a mysterious purpose. But 50,000 other humans on board the interstellar scout ship are scheduled to be butchered and frozen, a food supply for the long journey to the alien homeworld. Clint and the other Reserves can’t stand by and let that happen.

In the Nevada desert, an experiment has gone horribly wrong. A cloud of nanoparticles (micro-robots) has escaped from the laboratory. This cloud is self-sustaining and self-reproducing. It is intelligent and learns from experience. For all practical purposes, it is alive. It has been programmed as a predator. It is evolving swiftly, becoming more deadly with each passing hour. Every attempt to destroy it has failed. And we are the prey.

The story of rookie pilot Lt. Halley's first drop ship command. (A short story in the Terms of Enlistment universe.)

Attacked and abducted in her home territory, Mercy finds herself in the clutches of the most powerful vampire in the world, taken as a weapon to use against alpha werewolf Adam and the ruler of the Tri-Cities vampires. In coyote form Mercy escapes - only to find herself without money, without clothing, and alone in the heart of Europe. Unable to contact Adam and the rest of the pack, Mercy has allies to find and enemies to fight, and she needs to figure out which is which.

John Perry did two things on his 75th birthday. First he visited his wife's grave. Then he joined the army. The good news is that humanity finally made it into interstellar space. The bad news is that planets fit to live on are scarce—and alien races willing to fight us for them are common. So: we fight. To defend Earth, and to stake our own claim to planetary real estate. Far from Earth, the war has been going on for decades: brutal, bloody, unyielding. Earth itself is a backwater.

My name is Mercedes Athena Thompson Hauptman, and I am a car mechanic. And a coyote shape-shifter. And the mate of the Alpha of the Columbia Basin werewolf pack. Even so, none of that would have gotten me into trouble if, a few months ago, I hadn’t stood upon a bridge and taken responsibility for the safety of the citizens who live in our territory. It seemed like the thing to do at the time. It should have only involved hunting down killer goblins, zombie goats, and an occasional troll. Instead, our home was viewed as neutral ground.

The inspiring true story of Loïe Fuller, a radical 19th-century art nouveau icon who turned artificial light into performance art and became the incandescent inventor of modern dance, is revealed in this transportive and hypnotic historical narrative.