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Jamie Layton has a secret. Running from her past, Jamie Layton takes a new job as a nanny to two volatile, rebellious children at a stately mansion in a reclusive area of town. Rumors fly about the mysterious death of the children’s father, and when strange things happen at night, Jamie and the children must confront the horrors that haunt the house.

Josephine began to suspect something was wrong with the crumbling gothic monstrosity next door when its family fled in the middle of the night, the children screaming, the mother crying. They never came back. No family stays at Marwick House for long. No life lingers beyond its blackened windows. No voices drift from its ancient halls. Once, Josephine swore she saw a woman's silhouette pacing through the upstairs room… but that's impossible. No one had been there in a long, long time.

Charlie Reade looks like a regular high school kid, great at baseball and football, a decent student. But he carries a heavy load. His mom was killed in a horrific accident when he was seven, and grief drove his dad to drink. Charlie learned how to take care of himself—and his dad. When Charlie is seventeen, he meets a dog named Radar and her aging master, Howard Bowditch, a recluse in a big house at the top of a big hill, with a locked shed in the backyard. Sometimes strange sounds emerge from that shed.

There are some odd things about Nate’s new apartment. Of course, he has other things on his mind. He hates his job. He has no money in the bank. No girlfriend. No plans for the future. So while his new home isn’t perfect, it’s livable. The rent is low, the property managers are friendly, and the odd little mysteries don’t nag at him too much. At least, not until he meets Mandy, his neighbor across the hall, and notices something unusual about her apartment. And Xela’s apartment. And Tim’s. And Veek’s.

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides - or are chosen.