OYENTE

Bryan

  • 16
  • opiniones
  • 0
  • votos útiles
  • 207
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Engaging and imaginative.

Total
4 out of 5 stars
Ejecución
4 out of 5 stars
Historia
4 out of 5 stars

Revisado: 04-19-25

An engaging and imaginative science fiction novel that excels in its scientific foundations and speculative ideas. The story offers compelling escapism, with a fast-moving plot that keeps readers hooked despite occasional narrative gaps and unexplained transitions.

While the scientific concepts are handled well, the character development falls short—many of the characters feel somewhat flat or “cardboardy,” serving more as functional parts of the plot than as fully realized individuals. Nonetheless, the book remains highly enjoyable, driven by the author’s originality and ability to craft immersive scenarios.

Daniel Thomas May’s narration contributes positively to the audiobook experience, even if some of the accents come off as slightly inauthentic. Overall, it’s a captivating read that showcases Brandon Q. Morris as a rising talent in hard science fiction.

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Finished through a morbid sense of curiosity

Total
3 out of 5 stars
Ejecución
2 out of 5 stars
Historia
3 out of 5 stars

Revisado: 02-22-25

Having previously enjoyed Brandon Q. Morris' Proxima trilogy, which was well-structured and engaging, I had high hopes for The Death of the Universe. Unfortunately, this book fell short in several key areas, making it a frustrating rather than thought-provoking listen.

One of the biggest issues is how The Death of the Universe loses all sense of scale and coherence. The book attempts to tackle the ultimate fate of the cosmos but does so in a way that feels strangely reductive. Grand cosmic stakes are presented, but every challenge predictably finds a resolution, removing any real tension. There is a jarring mix of old and new technology that doesn’t fit together logically, making the worldbuilding feel forced rather than immersive.

The dialogue, instead of sounding natural or engaging, comes across as stiff and unnatural, almost as if the characters were lifted from a 1940s radio drama. The overly serious tone—likely intended to emphasize the gravity of the story—ends up feeling melodramatic, if not outright satirical. In a way, the book unintentionally borders on self-parody, taking the tropes of hard science fiction and amplifying them to an almost absurd level.

The audiobook narration only exacerbates this issue. The delivery feels forced, as if trying too hard to inject emotion into dialogue that was never particularly well-written to begin with. Rather than drawing me into the story, it highlighted the weaknesses in the writing, making the experience feel even more artificial.

Overall, The Death of the Universe is a disappointing misstep from an author who has previously demonstrated skill in crafting compelling science fiction. While the science itself remains intriguing, the execution is lacking. Instead of an awe-inspiring meditation on the fate of the cosmos, the book ends up feeling predictable, awkward, and unintentionally comedic.

If you’re a fan of Morris’ other works, you may find this worth checking out for the ideas alone—but don’t expect the same level of quality as Proxima.

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Engaging Multi-Genre Light Entertainment

Total
4 out of 5 stars
Ejecución
5 out of 5 stars
Historia
3 out of 5 stars

Revisado: 02-18-25

Like an intricate puzzle that gradually reveals its secrets, "14" weaves together multiple genres into an intriguing narrative tapestry. The novel functions as a genre-spanning adventure, combining elements of mystery, horror, science fiction, and fantasy with the accessibility of young adult fiction.

Ray Porter's narration serves as a welcoming guide through the story, maintaining engagement without overcomplicating the experience. While the horror elements feel more like gentle warnings than genuine frights, the suspense maintains a steady pulse throughout the journey.

The plot, much like any complex structures, contains its share of gaps that require some suspension of disbelief to bridge. These inconsistencies become more apparent when the story attempts to integrate its fantastical elements with its real-world foundation, creating transitions that aren't fully seamless. It's like trying to blend oil and water - sometimes the boundaries remain visible despite best efforts.

Despite these detractors, "14" delivers an engaging experience for readers who appreciate monster-driven narratives and science fiction that treats haunted houses as mysterious systems with their own internal logic. Consider it an entertaining adventure that prioritizes engagement over perfect coherence.

Recommended for: Those seeking an entertaining narrative experience who can overlook some structural inconsistencies in favor of creative worldbuilding and supernatural elements.

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Lost stream after a good start

Total
4 out of 5 stars
Ejecución
5 out of 5 stars
Historia
3 out of 5 stars

Revisado: 02-16-25

When I first started listening, I was immediately drawn in. The early chapters felt fresh and exciting - I was fascinated by the mysterious Stone and all its impossible chambers. The way Bear set up the scientific puzzles and mathematical mysteries really hooked me. I found myself genuinely intrigued by what secrets the seventh chamber might hold.

But then something shifted in the second half. What started as a tightly crafted narrative began to feel disjointed. I couldn't help feeling that Bear had lost his grip on the story. It's like he had all these complex ideas but couldn't quite wrangle them into a satisfying conclusion. The narrative that had me so engaged early on started to meander, becoming more complicated without really going anywhere meaningful.

Stefan Rudnicki's narration was excellent throughout - his strong performance and engaging delivery helped me stay with the story even when the plot became more challenging to follow. His skill as a narrator really brought the characters and world to life.

This being my first experience with Bear's writing, I have to say I'm a bit disappointed. While there were definitely promising elements - especially in that first half - the way it all unraveled has made me hesitant about picking up his other books.

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Refreshingly original

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 02-12-25

Breakthrough by Michael C. Grumley was the most engaging audiobook I've experienced in quite some time. Like a well-architected system, the story weaves together multiple subplots and characters, yet maintains remarkable clarity and cohesion throughout. Despite the complexity, each narrative thread remains distinct and purposeful, building tension that kept me thoroughly invested.

Having never encountered Grumley's work before, I took a chance after sampling the preview - a decision that proved remarkably rewarding. The masterful narration by Scott Brick elevated the experience significantly, his voice crafting an atmosphere that enhanced the story's suspenseful nature.

I'm eagerly anticipating exploring more of Grumley's work, particularly if he continues to demonstrate such skillful originality in his storytelling. Much like a developer who brings fresh approaches to familiar problems, Grumley has shown an impressive ability to craft unique and compelling narratives.

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Classic Heroes a villains

Total
4 out of 5 stars
Ejecución
5 out of 5 stars
Historia
3 out of 5 stars

Revisado: 08-20-23

"Privateers" by Ben Bova offers an intriguing Cold War-era perspective on an alternate reality. While its hard science fiction elements are engaging, the characters come across as one-dimensional, and the plot follows a formulaic pattern. The book delivers entertainment, being well read, but lacks the impact of Bova's other works, despite incorporating interesting scientific concepts and power dynamics. Overall, "Privateers" provides a captivating yet somewhat forgettable reading experience.

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Gripping but shallow time travel

Total
4 out of 5 stars
Ejecución
5 out of 5 stars
Historia
3 out of 5 stars

Revisado: 07-02-23

A good effort given the author apparently wrote this with no formal plot - he claims to be a "pantser" and allowed the story to grow organically. But it shows. A single simple story line and lots of adventure which boiled down to good guy beating bad guy and overcoming increasingly challenging odds. I think being science fiction in nature lends itself to this style where anything goes and very little research is required.

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Entertaining but forgettable

Total
4 out of 5 stars
Ejecución
5 out of 5 stars
Historia
3 out of 5 stars

Revisado: 07-02-23

Easy listening, and well performed, but the story line felt unremarkable and unoriginal. What the reader gets is quantity, and probably best for someone with a lot of time and new to apocalyptic science fiction.

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In the league of Enders Game.

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 03-25-23

I found myself unable to take a break from listening to this captivating story, which was thought-provoking with a lot of deeper meaning beyond mere entertainment. It was a refreshing change from the usual forgettable books out there. Moreover, I appreciated the fact that the book did not end with a cheap cliffhanger, trying to sell me on the next book in a series. Overall, it was an exceptional listening experience that I would highly recommend to anyone who enjoys a good hard science fiction.

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Puzzle solving fiction

Total
4 out of 5 stars
Ejecución
5 out of 5 stars
Historia
4 out of 5 stars

Revisado: 01-02-22

Good science for the time and still makes for interesting reading with a plausible theme. However, it is culturally stuck in the 70's which gives it an archaic feel. Very different t to most science fiction making it refreshing and worth reading, although somewhat dry and boring.

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