Amanda Mercier

As she races along Canada's Douglas Channel in her speedboat - heading toward the place where her younger brother Jimmy, presumed drowned, was last seen - 20-year-old Lisamarie Hill recalls her younger days. A volatile and precocious Native girl growing up in Kitamaat, the Haisla Indian reservation located 500 miles north of Vancouver, Lisa came of age standing with her feet firmly planted in two different worlds.

The narrator of this beautiful, often disquieting novel is a young Native American man living on the Fort Belknap Reservation in Montana. Sensitive and self-destructive, he searches for something that will bind him to the lands of his ancestors but is haunted by personal tragedy, the dissolution of his once proud heritage, and Montana's vast emptiness. Winter in the Blood is an evocative and unforgettable work of literature that will continue to move and inspire anyone who encounters it.

In the mid-18th century, as new ideas—and a new unrest—begin to sweep the Continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following.

The Bigtree alligator-wrestling dynasty is in decline, and Swamplandia!, their island home and gator-wrestling theme park, formerly number one in the region, is swiftly being encroached upon by a fearsome and sophisticated competitor called the World of Darkness. Ava’s mother, the park’s indomitable headliner, has just died; her sister, Ossie, has fallen in love with a spooky character known as the Dredgeman, who may or may not be an actual ghost; and her brilliant big brother, Kiwi, who dreams of becoming a scholar, has just defected to the World of Darkness.

One year after the death of his beloved musician father, thirteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house—a sneaker, a broken Christmas ornament, a piece of wilted lettuce. Although Benny doesn't understand what these things are saying, he can sense their emotional tone; some are pleasant, a gentle hum or coo, but others are snide, angry and full of pain. When his mother, Annabelle, develops a hoarding problem, the voices grow more clamorous.

In 1935, orphaned servant Hirut struggles to adapt to her new household as Ethiopia faces Mussolini's looming invasion. As the battles begin in earnest, Hirut and other women must care for the wounded. But when Emperor Haile Selassie goes into exile and Ethiopia is about to lose hope, Hirut helps to disguise a gentle peasant as the emperor to keep the fight alive. She becomes his guard, inspiring women to join the war against fascism.

In the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries after a heartbreak; Asma, who marries from a sense of duty; and Khawla, who chooses to refuse all offers and await a reunion with the man she loves, who has emigrated to Canada. These three women and their families, their losses and loves, unspool beautifully against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present. Through the sisters, we glimpse a society in all its degrees.

When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears. Night after night, Mackenzie’s dreams return her to a memory from before her sister Sabrina’s untimely death: a weekend at the family’s lakefront campsite, long obscured by a fog of guilt.

For decades, a quartet of Chinese women who have emigrated to San Francisco gather to eat dim sum, play mahjong, and talk—they call themselves the Joy Luck Club. Over the years, their stories have informed the lives of four daughters who feel the weight of family and world history on their shoulders. With wit and sensitivity, this novel explores the deep, complicated, and sometimes painful connections between mothers and daughters.

With narration and original taonga puoro music by Ruby Solly, this powerful and mesmerising book tracks the complicated relationships between three outcasts: Kerewin, an artist estranged from her family and art; a mute boy called Simon, who tries to steal from her; and his tender but brutal foster father Joe.