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Summoned to Glory
- The Audacious Life of Abraham Lincoln
- De: Richard Striner
- Narrado por: Paul Heitsch
- Duración: 20 h y 8 m
- Versión completa
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General
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Narración:
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Historia
Where previous Lincoln biographers describe his temperament as "moderate", "passive", or even "conservative", historian Richard Striner offers a stunningly original perspective that will shed significant new light on one of the most studied figures in American history. Striner shows Lincoln's audacity as no other book has ever done. By emphasizing the workings of Lincoln's mind - stressing his cunning, his overall honesty, strategic thinking - even his ability to change his mind - Striner looks anew at many topics and themes important to Lincoln's story....
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Summoned to Glory by Richard Steiner
- De N. Lawrence en 12-02-20
- Summoned to Glory
- The Audacious Life of Abraham Lincoln
- De: Richard Striner
- Narrado por: Paul Heitsch
Quality of research, and brilliance of writing.
Revisado: 02-17-24
This biography gets to the heart of who Lincoln truly was and how profoundly was the loss to our nation when his life ended when and how it did.
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Wolf Hall
- De: Hilary Mantel
- Narrado por: Simon Slater
- Duración: 24 h y 14 m
- Versión completa
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Historia
In the ruthless arena of King Henry VIII's court, only one man dares to gamble his life to win the king's favor and ascend to the heights of political powerEngland in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years, and marry Anne Boleyn.
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Divorced, beheaded, died...
- De Tim en 09-30-11
- Wolf Hall
- De: Hilary Mantel
- Narrado por: Simon Slater
A Love Letter to Cromwell
Revisado: 01-19-13
What did you like best about Wolf Hall? What did you like least?
If you hate Thomas More, you'll love this book. If you love Thomas Cromwell you'll also love this book. It is better read than heard, although the reader does an excellent job. It's just the nature of the narrative that makes listening pretty tedious, mainly because you must concentrate very hard in order to catch many of the transitions from subject-to-subject, person-to-person and place-to-place that happen so quickly it's like trying to follow the trail of a dog with firecrackers tied to its tail (something, in the spirit of Mantel's story, that Thomas More surely would have done to some poor dog if he'd had access to firecrackers at the time; then he would have taken the dog into his house where he would have whipped it mercilessly with his own scourging crop before drawing-and-quartering it and then burning it at the stake - all of this inside his house, except maybe the burning). Meanwhile, Cromwell would be out somewhere forming the first chapter of the ASPCA. Since I don't have a dog in the More-Cromwell fight, I really don't care what anyone thinks of either one of them, but it is a little irritating when an author finds it necessary to make one person a perfect villain in order to make another a perfect hero. Where's the ambiguity that is supposed to be essential to all serious fiction? Some reviewers have said that the book is peppered with humor, and I did smile a couple of times. Yet, alas, I was so busy straining to follow the story's transitions that I missed the funny parts or was simply too tired to laugh.
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