Cheryl Chiarello

The House of the Spirits brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of political power is tempered only by his love for his delicate wife, Clara, a woman with a mystical connection to the spirit world. When their daughter, Blanca, embarks on a forbidden love affair in defiance of her implacable father, the result is an unexpected gift to Esteban.

A body always tells a story - but this child’s was a blank page. Rita reached for the lantern. She trained its light on the child’s face. "Who are you?" she murmured, but the face said as little as the rest of her. It was impossible to tell whether, in life, these blunt and unfinished features had borne the imprint of prettiness, timid watchfulness, or sly mischief. If there had once been curiosity or placidity or impatience here, life had not had time to etch it into permanence. Only a very short time ago, the body and soul of this little girl had still been securely attached.

Alaska, 1920: a brutal place to homestead, and especially tough for recent arrivals Jack and Mabel. Childless, they are drifting apart - he breaking under the weight of the work of the farm; she crumbling from loneliness and despair. In a moment of levity during the season's first snowfall, they build a child out of snow. The next morning the snow child is gone - but they glimpse a young, blonde-haired girl running through the trees. This little girl, who calls herself Faina, seems to be a child of the woods.

Prickly, wry, resistant to change yet ruthlessly honest and deeply empathetic, Olive Kitteridge is “a compelling life force” (San Francisco Chronicle). The New Yorker has said that Elizabeth Strout “animates the ordinary with an astonishing force”, and she has never done so more clearly than in this book, where the iconic Olive struggles to understand not only herself and her own life but the lives of those around her in the town of Crosby, Maine.

On a spring afternoon in Athens, Georgia, Ethan Haddock is discovered in his apartment, dead, apparently by his own hand. His fatality immediately garners media attention: not because his death reflects the troubling increase of depression and mental health issues among college students, but because the media has caught the whiff of a scandal. His professor, Dr. Verena Sobek, has been taken in for questioning, and there are rumors his death is the result of a bad romance.

Private Detective Cormoran Strike is contacted by a worried father whose son, Will, has gone to join a religious cult in the depths of the Norfolk countryside. The Universal Humanitarian Church is, on the surface, a peaceable organization that campaigns for a better world. Yet Strike discovers that beneath the surface there are deeply sinister undertones, and unexplained deaths.

When frantic, disheveled Edie Ledwell appears in the office begging to speak to her, private detective Robin Ellacott doesn’t know quite what to make of the situation. The cocreator of a popular cartoon, The Ink Black Heart, Edie is being persecuted by a mysterious online figure who goes by the pseudonym of Anomie. Edie is desperate to uncover Anomie’s true identity.

Martin Arrowsmith is fascinated by science and medicine. As a boy, he immerses himself in Gray’s Anatomy. In medical school, he soaks up knowledge from his mentor, a renowned bacteriologist. But soon he is urged to focus on politics and promotions rather than his research. Even as Martin progresses from doctor to public health official and noted pathologist, he still yearns to devote his time to pure science.

James Dommek, Jr., an Alaska Native writer and musician, sheds new light on a real-life mystery that pits Native American folklore against the US justice system. In the vast Alaskan Arctic, legend has it there once lived a mythic tribe—Iñukuns—that only existed in rumors and whispers. This changed forever when an actor-turned-fugitive, Teddy Kyle Smith, had an encounter that brought Iñukuns from myth to reality. Smith was an aspiring actor with a promising career until it all came quickly crashing down with a gunshot, a manhunt, bloodshed, and other frightful events.

On the surface, everything is all right with Babbitt’s world of the solid, successful businessman. But in reality, George F. Babbitt is a lonely, middle-aged man. He doesn’t understand his family, has an unsuccessful attempt at an affair, and is almost financially ruined when he dares to voice sympathy for some striking workers. Babbitt finds that his only safety lies deep in the fold of those who play it safe. He is a man who has added a new word to our language: a “Babbitt,” meaning someone who conforms unthinkingly, a sheep.