June G.

Recently divorced, and with two young children, Ellen Sutherland is up to her elbows in professional and personal stress. When she's invited to travel all the way to Cheltenham to hear the content of an old woman's will, she's far from convinced the journey will be worthwhile. But when she arrives, the news is astounding. Eudora Nash has left Ellen a beautiful cottage worth an amount of money that could turn her life around. There's just one problem: Ellen has never even heard of Eudora Nash.

Leonora, known to some as Lee and others as Nora, is a reclusive crime writer, unwilling to leave her nest of an apartment unless it is absolutely necessary. When a friend she hasn't seen or spoken to in years unexpectedly invites Nora ( Lee) to a weekend away in an eerie glass house deep in the English countryside, she reluctantly agrees to make the trip. Forty-eight hours later, she wakes up in a hospital bed injured but alive, with the knowledge that someone is dead.

Americans have built an empire on the idea of “race”, a falsehood that damages us all but falls most heavily on the bodies of Black women and men - bodies exploited through slavery and segregation and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a Black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’ attempt to answer these questions in a letter to his adolescent son.