Barbara G Farrow

In this classic book, Madeleine L’Engle addresses the questions, What makes art Christian? What does it mean to be a Christian artist? What is the relationship between faith and art? Through L’Engle’s beautiful and insightful essay, listeners will find themselves called to what the author views as the prime tasks of an artist: to listen, to remain aware, and to respond to creation through one’s own art.

May 1912. After the previous year’s deadly heatwave, it’s been an uneventful spring in Littleton Cotterell. Though for Lady Hardcastle and her fiercely loyal lady’s maid Flo, at least there are the provincial delights of the village’s inaugural art exhibition—and bicycle race—to look forward to. But at the exhibition opening, there’s a panicked shout of ‘Fire!’ In the confusion, the main attraction—an extremely expensive book—is stolen from under everyone’s nose, as is a valuable painting lent by Sir Hector Farley-Stroud.

A follow up to the profound message of Crazy Love, Pastor Francis Chan offers a compelling invitation to understand, embrace, and follow the Holy Spirit's direction in our lives. "In the name of the Father, the Son, and ... the Holy Spirit." We pray in the name of all three, but how often do we live with an awareness of only the first two?

Exiled from her old life as the daughter of a vizier, Zaria still grieves the lost friends of her childhood. She’s grown accustomed to her new role as a servant, though—up until the day she stumbles on the fabled lost cave of treasures. The wealth inside is enough to transform anyone’s life, but Zaria isn’t the first to find it. A gang of cutthroat thieves got there first, and their behavior makes Zaria question everything she sees. With an unknown enchantment at work, and forty criminals desperate to protect their hoard, she doesn’t want anything to do with the gold.

November 1911. Lady Emily Hardcastle is celebrating her birthday by seeing a play at the Duke’s Theatre in Bristol with her maid and confidante, the inimitable Flo. Act One is a triumph. Then Act Two opens with a body on stage—a real one. One of the cast has been brutally murdered during the interval. When other matters get in the way of Inspector Sunderland overseeing the case himself, he asks the ever-resourceful Lady H to keep a watchful eye on the suspects—and his police colleagues.

While there are many books about writing, none deal firsthand with the intersection of songwriting, storytelling, and vocation, along with nuts-and-bolts exploration of the great mystery of creativity. In Adorning the Dark, Andrew describes six principles for the writing life: serving the work, serving the audience, selectivity, discernment, discipline, and community. Through stories from his own journey, Andrew shows how these principles are not merely helpful for writers and artists but for anyone interested in imitating the way the Creator interacts with his creation.

Have you joined a church or small group in hopes of experiencing real life change, only to be disappointed? Have you sat through inspiring sermons about what is possible when Christians gather together in mutually edifying relationships, only to recognize how cynical you have become after many failed attempts? Community may be one of the most over-promised, under-delivered aspects of the Christian life today. Individuals remain selfish and stuck in their ways.

Even people who are not professing Christians think they are familiar with the story of the Nativity. Every Christmas, displays of Jesus resting in a manger populate lawns and churchyards, and songs about shepherds and angels fill the air. Yet despite the abundance of these Christian references in popular culture, how many of us have examined the hard edges of this biblical story? Timothy Keller takes listeners on an illuminating journey into the surprising background of the Nativity.