Peggy McDermott

A successful film professor and podcaster, Bodie Kane is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia’s death and the conviction of the school’s athletic trainer, Omar Evans, are hotly debated online, Bodie prefers—needs—to let sleeping dogs lie.

After renowned fashion designer Cressida Westcott loses both her home and her design house in the London Blitz, she has nowhere to go but the family manor house she fled decades ago. Praying that her niece and nephew will be more hospitable than her brother had been, she arrives with nothing but the clothes she stands in, at a loss as to how to rebuild her business while staying in a quaint country village.

After a health scare, 77-year-old Barbara goes to convalesce in the sleepy Somerset village of Winsleigh Green with her sister, Pauline, who is now a widow. The sisters are like chalk and cheese - Barbara, outspoken and aloof and Pauline, good natured and homely - so it’s not long before the tension starts to rise. But when Pauline accidentally knocks down a vagrant who goes by the name of Bisto Mulligan, the ladies find themselves with another houseguest.

Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby.

Lilian Girvan has been a single mother for three years - ever since her husband died in a car accident. One mental breakdown and some random suicidal thoughts later, she's just starting to get the hang of this widow thing. She can now get her two girls to school, show up to work, and watch TV like a pro. The only problem is she's becoming overwhelmed with being underwhelmed.

Fifteen-year-old Ellie Mack was the perfect daughter. She was beloved by her parents, friends, and teachers. She and her boyfriend made a teenage golden couple. She was days away from an idyllic summer vacation, with her whole life ahead of her. And then she was gone. Now her mother, Laurel Mack, is trying to put her life back together.

Thirty-four-year-old Ruby Bridge is a not-too-successful comedienne who uses her mother, a nationally-syndicated "moral and spiritual counselor" as the main fodder for her cynical, rather bitter humor. Her mother Nora, long divorced from Ruby's father, is a woman whose past is just about to catch up with her - in the form of blackmail by a former lover.

Lina Meisel, a retired librarian in Florida, is reading the newspaper one morning when she freezes. Her eyes lock on a photograph of a book she hasn’t seen in 65 years - a book she recognizes as The Book of Lost Names. The accompanying article discusses the looting of libraries by the Nazis across Europe during World War II - an experience Lina remembers well - and the search to reunite people with the texts stolen from them so long ago. The book in the photograph is one of the most fascinating cases.

Every Thursday morning for two years in the Islamic Republic of Iran, a bold and inspired teacher named Azar Nafisi secretly gathered seven of her most committed female students to read forbidden Western classics. As Islamic morality squads staged arbitrary raids in Tehran, fundamentalists seized hold of the universities, and a blind censor stifled artistic expression, the girls in Azar Nafisi's living room risked removing their veils and immersed themselves in the worlds of Jane Austen, F. Scott Fitzgerald, Henry James, and Vladimir Nabokov.

Set in the London of the 1660s and of the early 21st century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city, and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a cache of 17th-century Jewish documents newly discovered in his home during a renovation.