OYENTE

Lucky

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Terrific book, narration hit or miss

Total
5 out of 5 stars
Ejecución
3 out of 5 stars
Historia
5 out of 5 stars

Revisado: 05-20-14

Did the narration match the pace of the story?

The narrator is irritating. The voices and accents are unnecessary. The bad accents are few enough to overlook, however... When the narrator is reading the part of a woman, they all sound like drag queen voices: overly feminized caricatures.Now that said, when the narrator is speaking about/for Phil Spector, the crazy is palpable. The pace is just shy of an uncontrolled gallop and it makes the book all the more effective in communicating Spector's decades-long descent into madness.

Any additional comments?

The book is terrific. The balance between Spector's musical life and personal life is excellent. I knew a good bit about him musically, but the subtext of his life in between the hits was really informative and helped me get a better, bigger picture of Phil Spector.

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esto le resultó útil a 3 personas

Powerful story, painful narration

Total
4 out of 5 stars
Ejecución
3 out of 5 stars
Historia
5 out of 5 stars

Revisado: 08-01-13

What made the experience of listening to Savage Continent the most enjoyable?

The story is thorough, well researched and comprehensive. The sheer amount of new information was well worth the listen.

What did you like about the performance? What did you dislike?

The narration was painful. Every accent sounded like a caricature of Count Dracula. There was so much accent switching that after a while, what was meant to be helpful in distinguishing the locations/nationalities being discussed turned into moments of dread for me. Overall, I would say that audiobook producers should look very closely at the necessity for performing accents - rarely have I found them to be helpful or desired.

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esto le resultó útil a 10 personas

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