Keith W Cotton

On a serene night in 1953, Sally Mason, a dedicated wife and mother of two, drives a twisting road on her way home from night school. Suddenly, a mysterious bluish-white light descends over the road. Terrified, Sally slams on the brakes. After a flash of bright light nearly blinds her, she passes out, awakening to the persistent knock of a police officer on her car window. When she sees the officer and remembers her frightening experience, she screams and faints, and is rushed to the hospital.

The quiet 1960s midwestern life of the Land family is upended when son Davy kills two marauders who have come to harm the family. The morning of his sentencing, Davy (a hero to some, a cold-blooded murderer to others) escapes from his cell, and the Lands set out in search of him. Their journey is touched by serendipity and the kindness of strangers, and they cover territory even more extraordinary than the Badlands, where they search for Davy from their Airstream trailer.

In a strange little home built into the branches of a grove of trees, live three robots—fatherly inventor android Giovanni Lawson, a pleasantly sadistic nurse machine, and a small vacuum desperate for love and attention. Victor Lawson, a human, lives there too. They’re a family, hidden and safe. The day Vic salvages and repairs an unfamiliar android labelled “HAP,” he learns of a shared dark past between Hap and Gio–a past spent hunting humans. When Hap unwittingly alerts robots from Gio’s former life to their whereabouts, the family is no longer hidden and safe.

When Boady Sanden first receives the case of Elijah Matthews, he’s certain there’s not much he can do. Elijah, who believes himself to be a prophet, has been locked up in a psychiatric hospital for the past four years, convicted of brutally murdering the pastor of a megachurch. But as a law professor working for the Innocence Project, Boady agrees to look into Elijah’s file. When he does, he is alarmed to find threads that lead back to the death of his colleague and friend, Ben Pruitt, a man shot to death four years earlier in Boady’s own home.

Now, he knows it is too late to change things. He can barely walk and manages to hurt himself badly while sleeping. With those limitations, how can he fix the lamentable situation he's made of his life? But this is Middle Falls, where everyone gets a second chance. The Regretful Life of Richard Bell is the sixteenth book in the Middle Falls Time Travel Series. Like all Middle Falls stories, it can be read as a standalone novel, or as part of the series.

Joe Colsco boarded a flight from San Francisco to Chicago to attend a national chemistry meeting. He would never set foot on Earth again. On planet Anyar, Joe is found unconscious on a beach of a large island inhabited by humans where the level of technology is similar to Earth circa 1700. He awakes amid strangers speaking an unintelligible language and struggles to accept losing his previous life and finding a place in a society with different customs, needing a way to support himself and not knowing a single soul.

Hart Tanner is a con man; a grifter who enjoys gaming people as much as he enjoys whatever ill-gotten gains he might receive. When he dies an embarrassing, pain-riddled death, he is beyond surprised to wake up at an earlier point in his life with all memories still intact. A con man with access to life after life with no real consequences, why would he ever change the way he lives? But Hart Tanner does change. No matter how stubbornly he clings to his own resistance.

Joe Haldeman is the esteemed Hugo and Nebula Award-winning author of The Forever War. Things are going nowhere for lowly MIT research assistant Matt Fuller - especially not after his girlfriend drops him for another man. But then while working late one night, he inadvertently stumbles upon what may be the greatest scientific breakthrough ever. His luck, however, runs out when he finds himself wanted for murder - in the future.

It's 1942 and talented young artist Emily Torrance is brutally murdered. Seventy-five years later, Jim Mercer, a reporter for the LA Times, covers a J. Paul Getty Museum showing of Emily's work and is smitten by her self-portrait. Eventually becoming obsessed with the slain artist, Mercer investigates her murder and discovers something the cops of 1942 missed: evidence of Emily's killer, but more - proof of time travel.

The Ferox assault has been escalating, drawing Jonathan into combat more and more frequently. With each passing day, he's grown stronger. He can't be certain, but his attackers seem to be getting...more dangerous? ...and, of course, Heyer is gone, again. Then came the glitch. Unexpectedly pulled from battle, Jonathan finds he cannot recall the final moments of his last confrontation. Convinced that his memory loss was no accident, he must uncover the truth.