Mya Edwards

Mavis Miller is not a PTA mom. She has enough on her plate with her feisty seven-year-old daughter, Pearl, an exhausting job at a nonprofit, and the complexities of a multigenerational household. So no one is more surprised than Mavis when she caves to Trisha Holbrook, the long-reigning, slightly terrifying PTA president, and finds herself in charge of the school’s brand-new DEI committee. As one of the few Black parents at this California elementary school, Mavis tries to convince herself this is an opportunity for real change. But things go off the rails at the very first meeting.

Meet Preach, Digit, and Maria, three lost and damaged souls trying to make it on the streets of New York City, running petty scams to stay alive. A twist of events changes their lives forever when they accidently kill a man connected to the mob and find a small fortune. Now on the run, the trio tries to escape a notorious hit man called B-Boy. Along the way, they run into more shady characters and more trouble. Seduced by the siren call of the money and struggling with their own demons, Preach, Digit, and Maria will soon discover even the closest bonds can't overcome their past traumas.

When Eve returns to her family home Fox House, the tension with her mother, Agatha, is palpable. But when Eve’s daughter, Lyra, and her granddaughter, Skye, arrive unexpectedly, four generations of women under one roof set the stage for explosive revelations. Lyra seems troubled, but refuses to explain why. And when she lays claim to the crumbling cottage on the estate, Agatha drops a bombshell – she’s already promised it to a mysterious man named Dylan.

Ethical, pondering, and wondrous, adrienne maree brown’s Loving Corrections is a collection of love-based adjustments and reframes to grow our movements for liberation while navigating a society deeply fractured by greed, racism, and war. In this landmark book, brown invigorates her influential writing on belonging and accountability into the framework of “loving corrections”: a generative space where rehearsals for the revolution become the everyday norm in relating to one another.