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The Mill on the Floss
- De: George Eliot
- Narrado por: Laura Paton
- Duración: 20 h y 37 m
- Versión completa
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Historia
Maggie Tulliver has two lovers: Philip Wakem, son of her father’s enemy, and Stephen Guest, already promised to her cousin. But the love she wants most in the world is that of her brother Tom. Maggie’s struggle against her passionate and sensual nature leads her to a deeper understanding and to eventual tragedy
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Great compassion
- De nina lalumia en 12-26-16
- The Mill on the Floss
- De: George Eliot
- Narrado por: Laura Paton
Incredible narrator, incredible book
Revisado: 07-01-18
The narrator was incredible, giving such life and emotion to an already stunning book. George Elliot has such insights into the human heart and soul, and her characters are always so well developed and multi-dimensional. This book is no exception.
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Turtles All the Way Down
- De: John Green
- Narrado por: Kate Rudd
- Duración: 7 h y 12 m
- Versión completa
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Narración:
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Historia
Aza Holmes never intended to pursue the disappearance of fugitive billionaire Russell Pickett, but there’s a hundred-thousand-dollar reward at stake and her Best and Most Fearless Friend, Daisy, is eager to investigate. So together, they navigate the short distance and broad divides that separate them from Pickett’s son Davis. Aza is trying. She is trying to be a good daughter, a good friend, a good student, and maybe even a good detective, while also living within the ever-tightening spiral of her own thoughts.
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I hate to call it a trigger warning, but-
- De Lynnzee en 10-23-17
- Turtles All the Way Down
- De: John Green
- Narrado por: Kate Rudd
No Spoilers Review
Revisado: 10-11-17
To start, something good: "Daisy considered Attack of the Clones to be the most underrated Star Wars film." (198) Yes, thank you, John Green, for acknowledging this, even if it's only the opinion of a fictional character.
Now, to the rest of my review, which, I must admit, is far from positive.
To begin, the story, or, at least, where the main problem resolves, is fairly predictable if one think over what they had already read. One single clue lends itself to this. This is a minor complaint.
The dialogue and narration fades from fairly believable to unrealistic, sometimes from line to line. This makes the characters mostly unrealistic, a bit boring, and underdeveloped.
I understand this is a YA novel, but some critic has called it a modern classic. Either that person has never read a classic, doesn't understand what such a thing is, or is only out to flatter—all of which makes for a person terribly situated to be a literary critic. Read some of the classics referenced in the novel (maybe even a Tolstoy or Dostoevsky, or even a work like Slaughterhouse Five, which, in style, could be comparable), and one would soon find those works to be situated upon a higher shelf.
There's the cliche rich kid with daddy doesn't love me issues, everyone is beyond talented, and we learn, “Things are rough all over.” Which, if you don't know, is from the Outsiders, a true classic (and YA) that already taught us all this without the mental spiral of wondering how much of John’s imagining teenagers exploring each other sexually was left out of the book.
It's a swirl of poor characters and even worse philosophy. Here's an example of this bad philosophy: “Our destiny is coming into focus. We are about to live the American Dream, which is, of course, to benefit from someone else’s misfortune.” (23) Knowing a little about John and his opinions through things like Crash Course and VlogBrothers, I understand this is to be understood negatively. However, in the book’s context it's about giving information to the police that would bring justice to a situation and being rewarded for it. That's a positive understanding of the American Dream. The philosophy doesn't hold in the context of the book or IRL (used in Turtles a lot), for John himself, being wealthy and successful, is, by the logic, guilty of this.
There are many of these one-liners that express not this bad philosophy. Worst still, it's not the philosophy that one finds to exist in the minds of sixteen and seventeen years old girls, but that which exists in the mind of John Green. Obviously, it's okay for an author to put his own opinions into the minds and mouths of his characters, but unfortunately John Green is not a sixteen year old girl, which makes the times those lines of thought appear intrusive/invasive—infecting the narrative flow and character with something foreign to the setting.
On the whole, it was very hard for me to get through this book, wanting to put it down over and over. I began counting down the pages until finished when there were still nearly 200 left. This book was turtles all the way down in the worst possible way. John Green, I really enjoy your work on YouTube, but, if this is the best of your works so far (as many people are saying), then I really do not enjoy your fiction.
NOTE: This reviewer does not intend to imply the thoughts and feelings of someone with mental illness are unreal or unbelievable. My review concerns the fiction, not that of reality.
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Beowulf
- De: Seamus Heaney
- Narrado por: Seamus Heaney
- Duración: 2 h y 13 m
- Versión resumida
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Narración:
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Historia
New York Times best seller and Whitebread Book of the Year, Nobel Laureate Seamus Heaney's new translation of Beowulf comes to life in this gripping audio. Heaney's performance reminds us that Beowulf, written near the turn of another millennium, was intended to be heard not read.
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Why, oh, why is it abridged?
- De Tad Davis en 09-25-08
- Beowulf
- De: Seamus Heaney
- Narrado por: Seamus Heaney
Abridged but good
Revisado: 09-17-16
Great except that it's abridged. Doesn't make much sense to abridge such a fantastic translation.
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