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Oh my, poor Agatha.

Total
2 out of 5 stars
Ejecución
2 out of 5 stars
Historia
1 out of 5 stars

Revisado: 01-06-20

Agatha Christie wasn't a Nobel Prize in literature, but compared to Andrew Wilson, she reads like one. Murder in Mesopotamia has a really implausible ending, but compared to Death in a Desert Land it's as credible as a scientific treatise. The characters are a bunch of obnoxious idiots, and this unbearable version of Agatha speaks and behaves like a cross between a cheap psychotherapist and a shopkeeper who has to calm an unreasonable client. The whole thing is really the festival of cliche and, despite the messed-up plot, the culprit is obvious long before the end of the book. I only listened to the end because of the fascination that Agatha Christie, the Woolleys, Mesopotamia and archaeology continue to exercise even in this ridiculous and debased form.
Joan Walker's reading doesn't help: Agatha always talks as if she were sedated, Katharine is shrill and unpleasant beyond what is necessary, Americans and Scots are cheap vaudeville.

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Great story, not my favourite narrator

Total
5 out of 5 stars
Ejecución
3 out of 5 stars
Historia
5 out of 5 stars

Revisado: 09-30-18

The story is well known so no need to say much about it: the great settings and characters make it easy to forget some rather improbable solutions. But Suchet should take a bit more pains with the text and learn how to pronounce “Circe” and “délicieux”. Hugh Fraser is an infinitely better narrator.

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Not as good as I hoped

Total
3 out of 5 stars
Ejecución
3 out of 5 stars
Historia
5 out of 5 stars

Revisado: 06-05-17

The actor playing Father Brown is good, the rest of the cast variable. The sound effects are exaggerated and irritating. The choice of music is inappropriate. But the stories are good. My advice is to try the BBC dramatisations instead.

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