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In his most provocative and practical book yet, one of the foremost thinkers of our time redefines what it means to understand the world, succeed in a profession, contribute to a fair and just society, detect nonsense, and influence others. Citing examples ranging from Hammurabi to Seneca, Antaeus the Giant to Donald Trump, Nassim Nicholas Taleb shows how the willingness to accept one's own risks is an essential attribute of heroes, saints, and flourishing people in all walks of life.

In the year since her son Danny’s tragic death, Tina Evans has suffered incredible heartache. But now, with her Vegas show about to premiere, Tina might be ready to put her grief behind her and start over. Until a shocking message appears on the chalkboard in Danny's room: NOT DEAD. Those two words send her on a terrifying journey from the bright lights of Las Vegas to the cold shadows of the High Sierras, where she uncovers a terrible secret.

This clear and concise new introduction examines all the major debates and issues using a wide range of well-known examples. It discusses the challenge of using verbal and written language to analyze a visual form. Dana Arnold also examines the many different ways of writing about art, and the changing boundaries of the subject of art history. Topics covered include the canon of Art History, the role of the gallery, 'blockbuster' exhibitions, and the emergence of social histories of art.

One of the leading philosophical movements of the 20th century, existentialism has had more impact on literature and the arts than any other school of thought. Focusing on the leading figures of existentialism, including Sartre, Nietzsche, Heidegger, Kierkegaard, de Beauvoir, Merleau-Ponty and Camus, Thomas Flynn offers a concise account of existentialism, explaining the key themes of individuality, free will, and personal responsibility, which marked the movement as a way of life, not just a way of thinking.

Postmodernism claims that "modernity", which grew from the Enlightenment to the Industrial Revolution and Marxism, has collapsed. We now live in an endlessly "contemporary" culture, a virtual world of "hyperreality" containing such strange phenomena as post-Holocaust amnesia, Disneyland, cyberspace, and Fukuyama's proclaimed "end of history".