Charmaine

Photographer Isla Wilson is thrilled she's landed her dream job, but the clients who hired her are getting stranger by the day. It sounded so perfect—a month's assignment at the lush Scottish Highlands property of architect Alban McGregor, and his wife, Jessica. But in the woods, there's a playhouse with a chilling history. Two years ago, the McGregors' daughter Elodie was abducted and then died in that playhouse. The townspeople insist her abductor had to be a stranger in their town. Alban refuses to knock the playhouse down, even keeping a picture of it on his wall.

In 1919, Delano, Georgia, appoints its first chief of police. Honest and hardworking, the new chief is puzzled when young men start to disappear. But his investigation is ended by the fatal blast from a shotgun. Delano's second chief-of-police is no hero, yet he is also disturbed by what he sees in the missing-persons bulletins. In 1969, when Delano's third chief takes over, the unsolved disappearances still haunt the police files.

Jackman’s sister-in-law Sarah disappears to London and throws herself into the river. What drove her to this? She was a woman with a seemingly happy home life and two beloved sons. DI Jackman and DI Evans dig into Sarah’s life. And Jackman realises he knew almost nothing about his sister-in-law’s past. Then, they discover a woman in a neighbouring village died in similar circumstances. What is the connection to a convicted murderer whose family are convinced he is innocent? Who is really pulling the strings?

Rice Moore is just beginning to think his troubles are behind him. He’s found a job protecting a remote forest preserve in Virginian Appalachia where his main responsibilities include tracking wildlife and refurbishing cabins. It’s hard work, and totally solitary - perfect to hide away from the Mexican drug cartels he betrayed back in Arizona. But when Rice finds the carcass of a bear killed on the grounds, the quiet solitude he’s so desperately sought is suddenly at risk.

John Straley brings his storytelling abilities to a new level in this completely original period crime story. It's 1935, and Slip Wilson, rattled by the gruesome accidental death of a coworker, has quit his job at a logging camp, hoping to make a clean start in Seattle. But along the way he rescues a woman and her young niece from their car in a ditch, and his life takes a hard turn. The woman, Ellie Hobbes, is an anarchist with big dreams - but first, she has to take care of that pesky dead body in the trunk of her car.

Jimmy Lee Hickam grew up along Red Dog Road, a dead-end strip of gravel and mud buried deep in the bowels of Appalachian Ohio. It is the poorest road, in the poorest county, in the poorest region of the state. To make things worse, the name Hickam is synonymous with trouble. Jimmy Lee hails from a heathen mix of thieves, moonshiners, drunkards, and general anti-socials that for decades have clung to both the hardscrabble hills and the iron bars of every jail cell in the region. This life, Jimmy Lee believes, is his destiny, someday working with his drunkard father at the sawmill, or sitting next to his arsonist brother in the penitentiary.

Kamphoer is die ware verhaal van ’n vrou wat gedurende die Anglo-Boereoorlog wreedaardig verkrag en vir die aasvoëls gegooi is. Met die hulp van ’n reeks weldoeners ontsnap sy aan die kloue van die dood en wy sy uiteindelik haar lewe aan die genesing van presies die soort trauma waaraan sy onderworpe was. En in die proses word sy teruggestamp in ’n bomkrater wat sy geglo het lank reeds toegegroei het en veilig bedek was. In Kamphoer word die weerbarstigheid van die menslike gees opgeweeg teen die ewe blywende invloed van trauma.