Nikki

When Zikora, a DC lawyer from Nigeria, tells her equally high-powered lover that she’s pregnant, he abandons her. But it’s Zikora’s demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Stunned by the speed with which her ideal life fell apart, she turns to reflecting on her mother’s painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.

With a sensibility that recalls her beloved screen characters, including Yvette, Queenie, Shug, and the iconic Cookie from Empire, yet is all Taraji, the screen actress writes of her families - the one she was born into and the one she created. She shares stories of her father, a Vietnam vet who was bowed but never broken by life's challenges, and of her mother, who survived violence both in the home and on DC's volatile streets. Here, too, she opens up about her experiences as a single mother.

The summer of 1936 in Parsons, Georgia, is unseasonably hot, and Opal Pruitt senses a nameless storm brewing. She hopes this foreboding feeling won’t overshadow her upcoming 18th birthday or the annual Founder’s Day celebration in just a few weeks. She and her Grandma Birdie work as housekeepers for the white widow Miss Peggy, and Opal desperately wants some time to be young and carefree with her cousins and friends.

Eric Jerome Dickey strides boldly over the minefield that is modern marriage. The central couple's biggest challenge is timing: He works days; she works nights. Instead of growing together, they're rapidly drifting apart, coexisting on stolen phone calls from work, punctuated by occasional bedroom encounters that leave them both feeling even emptier and more alone. When she finds out about his affair - and starts her own - the delicate fabric of their marriage is torn irrevocably asunder. Or is it?