Christopher J. Gilmore
- 6
- opiniones
- 2
- votos útiles
- 34
- calificaciones
-
The Kaiju Preservation Society
- De: John Scalzi
- Narrado por: Wil Wheaton
- Duración: 8 h y 2 m
- Versión completa
-
General
-
Narración:
-
Historia
When COVID-19 sweeps through New York City, Jamie Gray is stuck as a dead-end driver for food-delivery apps. That is, until Jamie makes a delivery to an old acquaintance, Tom, who works at what he calls “an animal rights organization”. Tom’s team needs a last-minute grunt to handle things on their next field visit. Jamie, eager to do anything, immediately signs on. What Tom doesn't tell Jamie is that the animals his team cares for are not here on Earth. Not our Earth, at at least. In an alternate dimension, dinosaur-like creatures named Kaiju roam a warm and human-free world.
-
-
I'm listening with a permanent smile on my face
- De Lucy A. Pithecus en 03-15-22
- The Kaiju Preservation Society
- De: John Scalzi
- Narrado por: Wil Wheaton
It’s ok to not hire Will Wheaton to read every nerd adjacent story
Revisado: 02-08-24
It’s ok to not hire Will Wheaton to read every sci fi or nerd adjacent book. I had the same problem with his reading of this book as I have with every Wheaton read book I’ve listened to in the past (looking at you ready player one).
Wheaton reads every character with some combination of:
Smug exasperation
Smug incredulity
Smug sarcasm
His ability to make every character sound, at all times, as if they are on the edge of telling the funniest joke and the best one liner even if the dialog is in no way funny, is truly impressive. The effect of his narration style is it makes every character and most overall situations extremely off putting to listen to. If this is how everyone in this world talks, I would never want to spend any time with any of them. It feels like he’s narrating a reading of a Big Bang Theory episode, along with the expected laugh track.
Some of this is on the author but it’s exacerbated by Wheaton reading them as if they are a group of college bros constantly trying to one up each other in energy and wit.
This, by the way, also applies to narrative descriptions of whatever is happening around them and to me it changes the tone of the book completely to that of one, long, constant joke.
TL;DR cool idea undermined by thin, almost nonexistent plot and character I would never want to spend any amount of time with
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Has calificado esta reseña.
Reportaste esta reseña
-
The Every
- A Novel
- De: Dave Eggers
- Narrado por: Dion Graham
- Duración: 16 h y 3 m
- Versión completa
-
General
-
Narración:
-
Historia
Delaney Wells is an unlikely new hire at the Every. A former forest ranger and unwavering tech skeptic, she charms her way into an entry-level job with one goal in mind: to take down the company from within. With her compatriot, the not-at-all-ambitious Wes Makazian, they look for the Every's weaknesses, hoping to free humanity from all-encompassing surveillance and the emoji-driven infantilization of the species. But does anyone want what Delaney is fighting to save? Does humanity truly want to be free?
-
-
The narrator sounds like he works for the Every!
- De Bug en 11-22-21
- The Every
- A Novel
- De: Dave Eggers
- Narrado por: Dion Graham
Struggled to finish this
Revisado: 07-13-23
The plot is almost non existent. More like a series of short stories strung together to give the appearance a plot. What is there is so painfully on the nose about technophobia because it strikes so close to current reality that there's nothing left to the imagination. Sure I guess that makes it a little frightening that we'd be that close to some of this but the parts that do stray into the sci-fi future take such logical leaps as to be utterly ridiculous. People just accept ridiculous stuff without any pushback and it's wild. Every character sucks and the ending is signaled form 100 miles away. I did not like this book.
Then there's the narrator which does a passable job but reads everything like they are exasperated at all times and everyone is whining constantly. it's exhausting.
Would not recommend.
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Has calificado esta reseña.
Reportaste esta reseña
esto le resultó útil a 1 persona
-
The Phlebotomist
- De: Chris Panatier
- Narrado por: Veronique Olin
- Duración: 10 h y 53 m
- Versión completa
-
General
-
Narración:
-
Historia
To recover from a cataclysmic war, the Harvest was created to pass blood to those affected by radiation. But this charitable act has led to a society segregated entirely by blood type. Patriot thanks and rewards your generous gift based on the compatibility of your donation, meaning that whoever can give to the most, gets the most back. While working as a reaper for the draw, Willa chances upon an idea to resurrect an obsolete collection technique that could rebalance the city. But in her quest to put this in motion, she instead uncovers a secret that threatens her entire foundations.
-
-
The writing is stellar. The reader is excellent.
- De Eileen P. en 09-30-20
- The Phlebotomist
- De: Chris Panatier
- Narrado por: Veronique Olin
Good but not great
Revisado: 06-01-23
Solid 3 stars from me. It was just kind of fine which is a little disappointing because the first 1/3 of it really captured my interest.
Starts off strong with a lot of interesting ideas about blood based identity politics and dystopian world building but doesn't quite live up to its promises. I had a feeling what the "twist" was going to be before it's revealed and I thought surely they won't go there, it's too obvious of a metaphor but nope, they went there and that's where my interest took a nose dive. At least they had a few original ideas presented about certain aspects of said "twist" but it took something that originally felt more like a clever social commentary into cliche that I wish it left alone.
The characters were great though. I think the only one that I didn't enjoy was the teenager but that's because of the narrators choice of how to portray their voice. they leaned waaaay too far into 80's valley girl and it was challenging to listen to. But otherwise the narrator does a decent job.
Overall it was fine. loved the first bit but kind of struggled through the rest of it and the ending didn't really stick the landing for me.
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Has calificado esta reseña.
Reportaste esta reseña
-
A History of Wild Places
- A Novel
- De: Shea Ernshaw
- Narrado por: Carlotta Brentan, Cassandra Campbell, Gibson Frazier, y otros
- Duración: 11 h y 59 m
- Versión completa
-
General
-
Narración:
-
Historia
Travis Wren has an unusual talent for locating missing people. Often hired by families as a last resort, he takes on the case of Maggie St. James—a well-known author of dark, macabre children’s books—and is soon led to a place many believed to be only a legend. Called Pastoral, this reclusive community was founded in the 1970s by like-minded people searching for a simpler way of life. By all accounts, the commune shouldn’t exist anymore and soon after Travis stumbles upon it…he disappears. Just like Maggie St. James.
-
-
A wild ride
- De Amanda Smith en 12-12-21
- A History of Wild Places
- A Novel
- De: Shea Ernshaw
- Narrado por: Carlotta Brentan, Cassandra Campbell, Gibson Frazier, Cindy Kay, Pete Simonelli
An even worse version of The Village
Revisado: 10-14-22
Comparisons to M. Night Shaman's The Village are inescapable for this title. They are so similar it feels like it could be fan fiction. It also inherits all the worst parts from that movie. Starts off pretty strong with an interesting mystery...which then signals the answer to you so soon and so hard that the reveal in the middle of the story falls completely flat.
The biggest sin is making Travis have supernatural powers that go nowhere and have no reason to exist in the story other than to try and sell you on a vibe that the book does not deliver on.
much like the movie this was inspired by, it had a strong premise that quickly left me wanting and unfulfilled.
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Has calificado esta reseña.
Reportaste esta reseña
-
Dead Man in a Ditch
- De: Luke Arnold
- Narrado por: Luke Arnold
- Duración: 11 h y 51 m
- Versión completa
-
General
-
Narración:
-
Historia
The name's Fetch Phillips - what do you need? Cover a Gnome with a crossbow while he does a dodgy deal? Sure. Find out who killed Lance Niles, the big-shot businessman who just arrived in town? I'll give it shot. Help an old-lady Elf track down her husband's murderer? That's right up my alley. What I don't do, because it's impossible, is search for a way to bring the goddamn magic back.
-
-
Fantasy/Hardboiled fiction at its best
- De Alex Sumner en 10-17-20
- Dead Man in a Ditch
- De: Luke Arnold
- Narrado por: Luke Arnold
not as good as the first book
Revisado: 09-20-22
The narrator is phenomenal. Let's just get that out of the way. I think I would've gotten bored had it been anyone else. the first book had a central mystery and moved along at a brisk pace, this one often felt like a story in search of a plot. not nearly as much detective work as the last one, didn't add much by way of expanding on previous world building and the central mystery wasn't as interesting.
it was fine but I expected more after liking the first book so much.
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Has calificado esta reseña.
Reportaste esta reseña
-
The Invisible Life of Addie LaRue
- De: V. E. Schwab
- Narrado por: Julia Whelan
- Duración: 17 h y 31 m
- Versión completa
-
General
-
Narración:
-
Historia
France, 1714: in a moment of desperation, a young woman makes a Faustian bargain to live forever—and is cursed to be forgotten by everyone she meets. Thus begins the extraordinary life of Addie LaRue, and a dazzling adventure that will play out across centuries and continents, across history and art, as a young woman learns how far she will go to leave her mark on the world. But everything changes when, after nearly 300 years, Addie stumbles across a young man in a hidden bookstore and he remembers her name.
-
-
Prose style not to my liking
- De C.V. Cox en 10-18-20
- The Invisible Life of Addie LaRue
- De: V. E. Schwab
- Narrado por: Julia Whelan
Overstayed it’s welcome
Revisado: 03-18-21
The story was intriguing at first but it lost steam for me in the last 1/3 of the book. It really didn’t need to be as long as it was and the author recycles a lot of adjectives, in the same way smoke and shadow swirl and fill the room.
The conflict was hazy and the characters goals were unclear. The ending left a lot to be desired. Nobody learns anything except how to be better at being the most toxic in a toxic relationship.
The narrator was phenomenal though. Glad I read it but ultimately disappointed with the experience.
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Has calificado esta reseña.
Reportaste esta reseña
esto le resultó útil a 1 persona