Laurie Irwin

For better or for worse, Google and social media - “Big Tech”, collectively - have become the new public square. Unfortunately, this public square has a watchful referee standing behind them, ready and waiting to blow the whistle if they veer too far from the preferred narrative. Americans have given these companies enormous power to select the information they read, share and discuss with their neighbors and friends.

When Elizabeth Keane returns to Ireland after her mother’s death, she’s focused only on saying goodbye to that dark and dismal part of her life. Her childhood home is packed solid with useless junk, her mother’s presence already fading. But within this mess, she discovers a small stash of letters — and ultimately, the truth. Forty years earlier, a young woman stumbles from a remote stone house, the night quiet except for the constant wind that encircles her as she hurries deeper into the darkness away from the cliffs and the sea.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Who Goes There?, the novella that formed the basis of the film The Thing, is the John W. Campbell classic about an antarctic research camp that discovers and thaws the ancient body of a crash-landed alien.