Gregory

Amy Nicols (Lizzy Caplan) was an FBI agent with a dogged need to protect everyone—until that instinct caused her to mishandle a crisis, lose innocent lives, and lose her job. Now a civilian working in private security, that mistake still haunts her. One morning on the commuter train, she overhears a young couple plotting a murder. Ignoring warnings from her family and friends, Amy’s instinct to protect and serve compels her to investigate. But the further she goes, the more she finds her own life in danger.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

Some lines should never be crossed. Police corruption, an investigation that ends in tragedy and the mystery of a little girl’s silence – three unconnected events that will prove to be linked by one small town. While detective Cormac Reilly faces enemies at work and trouble in his personal life, garda Peter Fisher is relocated out of Galway with the threat of prosecution hanging over his head. But even that is not as terrible as having to work for his overbearing father, the local copper for the pretty seaside town of Roundstone.

In this romantic and comic story about class, language, and the art of reinvention, “Nebraska Jack" Rigel is about to quit his Latin studies program at the Vatican when he suddenly finds himself face-to-face with the mysterious and ethereal Angelina Amadio, the famous Angel of Rome. Hired to translate the romantic feelings of the unpredictable former TV detective Ronnie Tower, Jack must navigate these two forces of nature in a Rome of late night bars and fancy villas, as he searches for his own role to play.

When Michael Pollan set out to research how LSD and psilocybin (the active ingredient in magic mushrooms) are being used to provide relief to people suffering from difficult-to-treat conditions such as depression, addiction, and anxiety, he did not intend to write what is undoubtedly his most personal book. But upon discovering how these remarkable substances are improving the lives not only of the mentally ill but also of healthy people coming to grips with the challenges of everyday life, he decided to explore the landscape of the mind in the first person as well as the third.

It is 1902, and a bright, inexperienced young man named Isaac Bell, only two years out of his apprenticeship at the Van Dorn Detective Agency, has an urgent message for his boss. Hired to hunt for radical unionist saboteurs in the coal mines, he is witness to a terrible accident that makes him think that something else is going on, that provocateurs are at work and bigger stakes are in play. Little does he know just how big they are. Given exactly one week to prove his case, Bell quickly finds himself pitted against two of the most ruthless opponents he has ever known.

In December 1893, Sherlock Holmes-adoring Londoners eagerly opened their Strand magazines-- anticipating the detective's next adventure-- only to find the unthinkable: his creator, Arthur Conan Doyle, had killed their hero off. London spiraled into mourning -- crowds sported black armbands in grief -- and railed against Conan Doyle as his assassin.