Amelia E.

Why do we read literature and how do we judge it? C. S. Lewis' classic An Experiment in Criticism springs from the conviction that literature exists for the joy of the reader and that books should be judged by the kind of reading they invite. He argues that "good reading", like moral action or religious experience, involves surrender to the work in hand and a process of entering fully into the opinions of others: "in reading great literature I become a thousand men and yet remain myself."

Janner, Tink, and Leeli Igiby, the Lost Jewels of Anniera, are hiding from Gnag the Nameless in the Green Hollows, one of the few places in the land of Aerwiar not overrun by the Fangs of Dang. But there's a big problem. Janner's little brother - heir to the throne of Anniera - has grown a tail. And gray fur. Not to mention two pointed ears and long, dangerous fangs. To the suspicious folk of the Green Hollows, he looks like a monster. But Janner knows better. His brother isn't as scary as he looks. He's perfectly harmless. Isn't he?

Gondolin, beautiful but undiscoverable, is central to the enmity of two of the greatest powers in the world. Morgoth of the uttermost evil seeks in vain to discover the marvellously hidden city of his Elven enemies, while the gods in Valinor refuse to support Ulmo Lord of Waters' designs to protect it. Into this world comes Tuor, cousin of Túrin, and guided unseen by Ulmo he sets out on the fearful journey to Gondolin to warn them of their coming doom.