Georgina Gubbins

Pretty, unworldly Sophia is twenty-one years old and hastily married to a young painter called Charles. An artist's model with an eccentric collection of pets, she is ill-equipped to cope with the bohemian London of the 1930s, where poverty, babies (however much loved) and her husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with Peregrine, a dismal, ageing critic, and comes to regret her marriage - and her affair.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing. But it's the early 1960s and her all-male team at Hastings Research Institute take a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant Nobel-prize-nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

Siberia’s story is traditionally one of exiles, penal colonies and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos - grand instruments created during the boom years of the 19th century and humble, Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the influence of Catherine the Great, piano music has run through the country like blood.