Diana

Through blood and sacrifice, Amora Montara has conquered a rebellion and taken her rightful place as queen of Visidia. Now, with the islands in turmoil and the people questioning her authority, Amora cannot allow anyone to see her weaknesses. No one can know about the curse in her bloodline. No one can know that she’s lost her magic. No one can know the truth about the boy who holds the missing half of her soul.

Sixteen-year-old Lara Jean Song keeps her love letters in a hatbox her mother gave her. They aren’t love letters that anyone else wrote for her; these are ones she’s written. One for every boy she’s ever loved - five in all. When she writes, she pours out her heart and soul and says all the things she would never say in real life, because her letters are for her eyes only. Until the day her secret letters are mailed, and suddenly, Lara Jean’s love life goes from imaginary to out of control.

As princess of the island kingdom Visidia, Amora Montara has spent her entire life training to be High Animancer - the master of souls. The rest of the realm can choose their magic, but for Amora, it’s never been a choice. To secure her place as heir to the throne, she must prove her mastery of the monarchy’s dangerous soul magic. When her demonstration goes awry, Amora is forced to flee. She strikes a deal with Bastian, a mysterious pirate: he’ll help her prove she’s fit to rule, if she’ll help him reclaim his stolen magic.

After his second escape from Bea “Elsa” Bubb, the Principal of Darkness, Milton Fauster makes his way to Blimpo—the circle of the otherworldly reform school, Heck, where he’s sure his friend Virgil is sentenced. What Milton finds in Blimpo horrifies him. The overweight dead kids spend most of their time running on giant hamster wheels called DREADmills that detect and exploit their deepest fears. The rest they spend eating Hambone Hank’s barbecue—mystery meat that is delicious but suspiciously (to Milton, anyway) haunting.

When her brother, Milton, escapes the otherworldly reform school, Heck, in a soul balloon made of old clothes, Marlo is the only Fauster child left to take the blame. Bea “Elsa” Bubb, the Principal of Darkness, sends her straight to Rapacia, the circle of Heck where greedy kids are tormented by glimpses of a just-out-of-reach, glittering shoppers’ paradise called Mallvana.

How did Fidel Castro fool the CIA for a generation? Why did Neville Chamberlain think he could trust Adolf Hitler? Why are campus sexual assaults on the rise? Do television sitcoms teach us something about the way we relate to each other that isn't true? While tackling these questions, Malcolm Gladwell was not solely writing a book for the page. He was also producing for the ear. In the audiobook version of Talking to Strangers, you’ll hear the voices of people he interviewed - scientists, criminologists, military psychologists.

Half-witch Kiki never runs from a challenge. So when her 13th birthday arrives, she's eager to follow a witch's tradition: choose a new town to call home for one year. Brimming with confidence, Kiki flies to the seaside village of Koriko and expects that her powers will easily bring happiness to the townspeople.

Happy Days, The Andy Griffith Show, Gentle Ben - these shows captivated millions of TV viewers in the ’60s and ’70s. Join award-winning filmmaker Ron Howard and audience-favorite actor Clint Howard as they frankly and fondly share their unusual family story of navigating and surviving life as sibling child actors.

Tall, meaty, muscle-bound, and hairier than most throw rugs, Dylan doesn't look like your average 15-year-old, so naturally, high school has not been kind to him. To make matters worse, on the day his school bans hats (his preferred camouflage), Dylan goes up on his roof only to fall and wake up in the hospital with a broken leg - and a mandate to attend group therapy for self-harmers. Dylan vows to say nothing and zones out at therapy - until he meets Jamie. She's funny, smart, and so stunning, even his womanizing best friend, JP, would be jealous.

After escaping from the dark and dismal workhouse where he was born, Oliver finds himself on the mean streets of Victorian-era London and is unwittingly recruited into a scabrous gang of scheming urchins. In this band of petty thieves, Oliver encounters the extraordinary and vibrant characters who have captured audiences' imaginations for more than 150 years.