Mariah

A truly contemporary take on how to be a witch, Rebel Witch is an antidote to the cookie-cutter witchcraft agenda that gives a new perspective on the craft, asking each reader to create a powerful, personalized practice that taps into the current mood of female empowerment and spiritual rebellion. Rebel Witch reminds witches of the wondrous opportunity to jump into experimentation and invent something wild and individual, a practice shaped by their individual personality and life journey, rather than allowing themselves to be spoon-fed.

In this sequel to The Rising, cities are overrun with legions of the undead, intent on destroying what's left of the living. Trapped inside a fortified skyscraper, a handful of survivors prepare to make their last stand against an unstoppable, merciless enemy. With every hour their chances diminish and their numbers dwindle, while the ranks of the dead continue to rise. Because sooner or later, everything dies. And then it comes back, ready to kill.

The Rising is the story of Jim Thurmond, a determined father battling his way across a post-apocalyptic zombie landscape, to find his young son. Accompanied by Martin, a preacher still holding to his faith, and Frankie, a recovering heroin addict with an indomitable will to survive, Jim travels from state to state and town to town facing an endless onslaught of undead hordes and the evils perpetrated by his fellow man.

When you have to kill the same terrorist twice in one week there’s either something wrong with your world or something wrong with your skills - and there’s nothing wrong with Joe Ledger’s skills. And that’s both a good and a bad thing. It’s good because he’s a Baltimore detective who has just been secretly recruited by the government to lead a new task force created to deal with the problems that Homeland Security can’t handle....

Facing down an unprecedented malevolent enemy, the government responds with a nuclear attack. America as it was is gone forever, and now every citizen - from the President of the United States to the homeless on the streets of New York City - will fight for survival. In a wasteland born of rage and fear, populated by monstrous creatures and marauding armies, earth's last survivors have been drawn into the final battle between good and evil, that will decide the fate of humanity.

Kate Collins has been ghosted. She was supposed to be moving in with her new boyfriend, Scott, but all she finds after relocating to Brighton is an empty apartment. Scott has vanished. His possessions have all disappeared. Except for his mobile phone. Kate knows she shouldn't hack into Scott's phone. She shouldn't look at his Tinder, his calls, his social media. But she can't quite help herself. That's when the trouble starts. Strange, whispering phone calls from numbers she doesn't recognize. Scratch marks on the walls that she can't explain.

It was no secret that journalist Jack Sparks had been researching the occult for his new book. No stranger to controversy, he'd already triggered a furious Twitter storm by mocking an exorcism he witnessed. Then there was that video: 40 seconds of chilling footage that Jack repeatedly claimed was not of his making, yet it was posted from his own YouTube account. Nobody knew what happened to Jack in the days that followed - until now.

More than a decade ago, Mira fled her small, segregated hometown in the south to forget. With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder. But now Mira is back to attend Celine's wedding at the plantation.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

When secret organizations are forced to merge after years of enmity and bloodshed, only one person has the fearsome powers - and the bureaucratic finesse - to get the job done. Facing her greatest challenge yet, Rook Myfanwy Thomas must broker a deal between two bitter adversaries: the Checquy - the centuries-old covert British organization that protects society from supernatural threats, and the Grafters - a centuries-old supernatural threat.