Melissa A. Bartell

Cozy Mystery with a Dash of California History

Revisado: 03-11-24

I enjoyed this book a lot and was going to give five stars, except there was a line near the end about shooting Americans being a blood sport in Mexico, which is patently untrue. Yes, there are drug cartels, but most of their violence is directed at each other, and if Americans get involved it's usually because they're up to something nefarious. On the whole there are fewer deaths by gunshot in Mexico in a year than there are in most major American cities in a month.

Aside from that, I thought the plot was well constructed and the world building was delightful. I could envision the town, the boostore/cafe, the house... and the characters seemed dimensional.

The narration was excellent. Warm, and even, with great character work.,

Goes well with a caramel mocha and a sunny day.

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Fantastic Narration of a Period Novel

Revisado: 12-02-23

As a child, libraries were my sanctuary, so I was excited to read The Library Girls of the East End, the first book in a new series by Patricia McBride. Set in the war-torn London of the 1940's this novel is about three young women, Cordelia, Mavis, and Jane who all discover their best selves while working in the library.

Filled with romance, family drama, and the resilience of humanity this book is a lovely glimpse of a time that is getting further and further away from us with every breath. I loved that each of the three main characters had a distinct story and personality, and I applaud the author's deftness at braiding them into a coherent whole. I appreciated that class differences were addressed, but never used as an excuse, and I was impressed that in addition to wonderful traits, every character also had a flaw they had to overcome.

Of course the library regulars - the Readers - were integral parts of the story. Whether it was the grumpy man who grumbled over the daily newspaper, or the children learning that books could take them beyond any walls, the community members provided the reason for Cordelia, Mavis, and Jane's being employed at all, but also provided the tapestry against which the rest of the scenes were played. Without readers, after all, what good is a library?

In addition to reading the text of this novel, I also listened to the audiobook of this novel, which really made me pay attention to McBride's flair for dialogue. Every character had a distinct way of speaking, which was reflected in print, but really sang in audio. Kudos to the narrator, Julie Maisey, whose pronunciation of the word "eat," specifically really made me feel immersed in the period of this book.

Overall, this is a satisfying read with three strong female characters at its heart.

Goes well with: mushroom risotto and a nice merlot.

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Breezy summery romance, great reader.

Revisado: 07-19-23

As someone who as always fantasized about living on a boat, this book hooked me from the start. Why? Because twenty-five-year-old Daisy May, heartbroken wannabe artist, inherits a forty-foot narrow boat in the books's beginning, and afterward, a delightful story full of hope and hijinks, ensues.

First, there are the realities of inheriting and renovating a boat - not something you can do when you don't have much money. Then there are her good friends Becks and Claire, who support her, encourage her, help her clean out the boat, and keep her laughing even when she's receiving yet another bill she has to pay. And then there's the handsome guy, Theo, who has the boat in the next mooring.

What I loved about this story was that there was humor even in the worst calamaties. I also appreciated that, even with every thing thrown at her, Daisy never gives up. Whether it's people complaining that she's leaving things in the path as she cleans, or threaten her because of unreasonable noise after an impromptu dance party, Daisy doesn't walk away. Her sheer stubbornness makes her interesting and endearing, and also represents one of her flaws. I like characters who aren't perfect.

I also liked that the exposition of Daisy's family history - her deceased father, her tight-lipped mother, and the grandfather who left her the boat - came out organically rather than in a single info-dump. Backstory is important, but getting it through conversations and actions is much better than having it presented as a lump, and making it seem natural is a skill not every author has.

I liked the use of dialogue and dialect to differentiate the local rivermen and -women from city girls like Daisy, something I appreciated in print and really enjoyed in the audio version of this novel.

Overall, New Beginnings at Wildflower Lock is a breezy summer read that does not disappoint. I'm looking forward to reading more in this series.

Goes well with: pop music, water color paints, and cold beer.

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Hilarious and Surprisingly Earthy

Revisado: 05-19-23

I read the e-galley of this book before the print copy was released and then added the audiobook to my library later. As I write this I'm part-way through my second listen, months apart. And I still love it. First, hearing Brent and his castmates portray these heightened versions of themselves - LeVar Burton surrounded by crystals and sage, and sounding high is something I will never get out of my head - is hilarious. The book is great, but it's the full-cast experience that makes this audiobook wonderful.

Second, the story is both funny and chilling, often at once. Authors Spiner and Durst have created a collection of absurd (sometimes gross) situations that are also fraught with danger, and the combination works beautifully. This feels very much like an evolution of the Twitter story Brent had going a decade or so ago, but with better planning. And plotting.

While I'm still not thrilled with the twin FBI agent and body-guards, because they feel like objects of lechery at times, I also recognize that it's fiction, and it's comedy, and in that context these two women work well as characters.

Overall, this is a surprisingly earthy story with a good balance of grit, grimness, and giggles. I'd love to read - and hear - more from Mr. Spiner in this vein.

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Interesting Perspective on Apollo & Moire

Revisado: 05-19-23

We often hear the astronauts' perspective on the Mercury, Gemini, and Apollo NASA missions, but this one is from one of the backroom guys - an engineer who literally made stuff go. It's interesting, honest, and sometimes funny. It's also a refreshing take on the subject, and one we don't get enough of. As a certified space junkie, I really appreciated this book.

The audiobook is well presented and the narrator, Tom Perkins, does a decent job but there are a couple of words that weren't pronounced quite properly. It wasn't enough to make me stop listening,but was momentarily jarring.

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Gripping story. Great narration

Revisado: 05-19-23

I’ve often found that the New Adult / Young Adult genre includes some of the most thought-provoking work in contemporary fiction, and Lori Ann Stephens’s latest novel, a dystopian thriller set in a near-future (or alternate reality – the distinction is unclear), frighteningly plausible version of Texas. Blue Running is so well crafted, it’s nearly unputdownable.

In this novel, Blue (Bluebonnet) Andrews, is running away from her hometown of Blessing because an accident with a gun killed her best friend, and even her father the town’s deputy (usually drunk) thinks she did it.

But the version of Texas this young woman must navigate is one that has seceded from the Union. Open-carry of guns isn’t just legal, it’s required, the state has become the very Christian Republic of Texas, replete with a wall to keep Texans in (and “scalers” out), and where undocumented immigrants are shot on sight by the Border Patrol, and death is the typical punishment for abortion. With the entirety of the Republic declared a no-fly zone, trains are the only way to cross the state without having to drive yourself.

Fortunately, Blue runs into Jet, a young Latina woman who is pregnant, and equally desperate to escape into the country beyond the wall: America. Along the way, the two encounter green-bandanna-wearing motorcycle gangs who are more ruthless than the Border Patrol, communities of convenience, including one called The Neighborhood, where they find temporary respite and new challenges, and even some artists who encourage Blue’s drawing talents. They also try to avoid the lethal Texas Rangers.

Both Blue and Jet feel like real young women caught in a horrible situation. Throughout the story they keep parts of themselves hidden from each other, but still aid and support each other. Jet has the better street smarts while Blue is better at blending in. They make a great team, and while it’s never made explicit, it’s likely that they will remain friends – or more – long after the story ends.

Author Stephens has written this book in a way only a native (or long-time resident) of Texas can. You can feel her love for the Lone Star State in the descriptions of the land and people, but you can also sense her dissatisfaction with the current political climate, and how it might expand in a worst-case scenario. This includes reproductive freedom as well as gun laws. Both issues were handled with delicacy, but sensitive readers should be prepared.

My review is based on the audiobook version of this story, which is read by Ashley Rose Kaplan who uses the perfect drawl – just enough Texas in her voice but not so much that her accent becomes a caricature. She changes her accent when Jet is speaking, adding to differentiate the characters, and alters her tone well for other characters, including the various men the young women run into.. It’s a perfect combination of story and narrator, and I felt her voice enhanced the experience of the novel.

Overall, this is a gripping story – part road trip, part flight for life – with a healthy dose of coming-of-age. I would not want to live in the version of Texas depicted in Blue Running, but I will happily read any future novels in this series.

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Great narration plus fantastic stories

Revisado: 10-18-22 El oyente recibió este título gratis

Having read the original Covey Jencks novel, which I did not review, and the second, Covey and Jay Jay Get Educated, which I did, I was curious to hear the audiobook, with all three books narrated by the same person, and presented in one, neat, bundle. I was not disappointed. While I'm a rare audiobook-listener and generally only listen to books I've read in print, I'm falling more in love with the medium. As I had not read the third book in this collection, The Chinese Murder of Edward Watts, I was a bit concerned about following the plot, but these books are so perfectly paced and well plotted, and balance humor and more serious scenes so well, that I had no issues.

As a refresher, the first book introduces us to Covey Jencks and his partner in solving crime (among other things), JayJay Qualls and sees them solving a case in Jencks's hometown of Odessa, Texas where he recently returned. It involved Mexican gangs and a Boston mobster, and set the tone for the sarcasm-laced, deeply respectful and affectionate relationship between the two leads. The second book sees Covey and JayJay  finding the truth behind the death of one of Covey's friends as well as other mayhem on a college campus, and the third involves a trip to China to solve a murder that involves characters there and in the USA, including a group of Chinese gangsters.

What all three novels have in common, aside from Covey and JayJay, are the deft uses of language, and the way author Williams imbues his stories with social consciousness and uses them to discuss everything from immigration and racism to sexism and sex trafficking. He does this while never making the reader - or listener - feel hammered to death by a cause, or overdoing the darker aspect of these subjects, but wrapping them in mysteries laced with humor and wry turns of phrase that are completely engaging.

As audio books, each of these has been released on its own, albeit with diffrerent narrators. What makes this omnibus audiobook edition so special is that the same narrator is with us all the way through. A good narrator can make or break and audiobook. In this case, Stephen E. Lookadoo's folksy warmth only enhances the source material. He sounds like someone Covey Jencks would know; he sounds like someone the author would know. He has that kind of familiar voice that makes you think you've heard him before - and maybe you have - but even when he's playing a down-home hick he never seems uneducated. He also used just enough accent and pitch change to evoke the different characters without sounding forced or fake. A lot of male narrators turn female characters into caricatures; Lookadoo does not.

The combination of Williams's vivd storytelling and Lookadoo's narration gives the listener the perfect blend of substance and style. The vocal performance is perfectly matched to the relatively quick pace of these novels, and you never feel breathless from trying to keep up, or bored because things are too slow.

At nearly eighteen hours, this omnibus is a meaty undertaking. Personally, I prefer longer audiobooks because I can live with them for several evenings and really absorb the story. In this case, that time gives us three distinct, yet still connected, mysteries that were fantastic in print, an even better in this format.

Goes well with: cold beer - Shiner is good - and a plate of ribs, cole slaw and mac-n-cheese.

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