OYENTE

Samara Weiss

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Fun use of audio play format

Total
4 out of 5 stars
Ejecución
5 out of 5 stars
Historia
4 out of 5 stars

Revisado: 05-17-24

The overlapping sounds and untranslated foreign languages made this very atmospheric and compelling. The “ah your human brain searches for patterns” metacommentary thing felt beneath the level of intelligence of the play as a whole, which was very well-performed and very good at summoning up a feeling of uncertainty and uncanniness.

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Fast-moving intrigue and drama

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 02-12-24

The partial dramatization takes some getting used to, as the actors don’t always echo the way the author-narrator reads their voices, and the sound effects are a bit cheesy. But the story is fantastic and all the reading is lively. Our protagonists aren’t especially virtuous; they’re not even nice. But they are interesting, and that’s what matters.

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Missing Out Audiolibro Por Adam Phillips arte de portada

Calm and thoughtful musings

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 07-09-23

I’ve read that Phillips says that he thinks psychotherapy is like poetry and it really shows here. A collection of well-phrased thoughts, gracefully connected and quietly and intelligently read. It’s very soothing listening.

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Respectful and recognizable

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
4 out of 5 stars

Revisado: 08-09-19

Though in some ways the story is a bit predictable in the way it teases and reveals the protagonist's traumas, and although the metaphors are sometimes obvious, the book still paints a painfully recognizable picture of a person who wants to withdraw from the pain of the world and render herself untouchable with the punishments she's chosen for herself. What's most interesting is the respectful depiction of the beliefs of centuries-ago Christians; their faith in amulets and prayer, their medical convictions, their beliefs in the order of the world, and their struggles with God are all treated respectfully, with no winking at the audience or improbably contemporary opinions inserted into character's mouths. The characters live in a deeply sexist world, and accept it as everyone accepts the world they're taught, but the book itself is not sexist. Its portrait of women struggling to live by the impossibly difficult rules laid out for them, and learning when the rules must bend, is touching, and the protagonist's faith and growing love were very moving. There are conflicts, and evil things do happen, but ultimately this book gives a feeling of serenity and peace.

Steve West is good, but Mary Jane Wells' performance (the majority of the book) is a marvel of sensitivity, intelligence, and nuance. I think with a different reader, I would have enjoyed this book and moved on; because of Wells, I've listened repeatedly, and turn to this book when I'm sad.

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