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Killing the sadistic warlord known as the Dog Tongue took everything Gus Berry had, including the woman he loved. Now, all he wants is to get away from the bloody scene of their final showdown. But when he heads west in a stolen truck, a brutal snowstorm forces him to turn back—and seek refuge in the Dog Tongue’s former headquarters. Though it’s littered with human carnage, the abandoned luxury hotel has a lot to offer a guy like Gus. But in addition to soft beds and working toilets, he encounters still-lurking dangers both living and undead.

Douglas Kirk is having a bad week. Not only are humans hunting him, but whole packs of werewolves have been commanded to kill him on sight, forcing him to flee Halifax without identification, money, weapons, even his phone.

Death of a Darklord focuses on a young woman who finds that she has a talent for magic in a land and a family unforgiving of such abilities. Her tragic attempts to redeem herself in the eyes of her family involve aiding them on their quest to end the dark magic that has destroyed a neighboring town.

Some of the parchment pages were the color of cream, thick and substantial, made to last many, many lifetimes. Other pages were thin and desiccated, positively yellow from age, and crackled alarmingly as Van Richten turned them over. There were no ornate illuminations, no fussy borders, only lines of plain text in hard black ink. The flowing handwriting was a bit difficult to follow at first; the writer's style of calligraphy had not been in common use for three hundred years.

After nearly four years, the zombie epidemic has almost burned itself out. Once a lone survivor on the brink of insanity, Gus Berry has a new life on a communal farm, his daily routine of policing the fields only rarely disrupted by straying undead. Gus’s drinking binges are over, and the dark days of Annapolis are soon to be a distant memory. But his troubles are far from over . . .