David A. Howarth
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Mysticism and Logic
- De: Bertrand Russell
- Narrado por: Graham Dunlop
- Duración: 7 h y 53 m
- Versión completa
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The first essay, which gives its title to the volume, endeavours to define the respective spheres of logic and mysticism. Bertrand Russell describes this and the four essays that follow as "entirely popular". They are concerned with "The Place of Science in a Liberal Education", "A Free Man's Worship", and "The Study of Mathematics". The next five essays are "somewhat more technical", though written with the lucidity and power which distinguish all Bertrand Russell's work in its appeal to layman and professional alike.
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Lesrn how to pronounce words.....
- De David A. Howarth en 11-18-22
- Mysticism and Logic
- De: Bertrand Russell
- Narrado por: Graham Dunlop
Lesrn how to pronounce words.....
Revisado: 11-18-22
Title says it all. Great material, oddly inept delivery. Narrator mispronoinces fairly common words and well-known proper names.
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Labyrinths
- Selected Stories & Other Writings
- De: Jorge Luis Borges
- Narrado por: Dominic Keating
- Duración: 10 h y 21 m
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The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labelled Borgesian.
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Look, this is Borges
- De Lars Spuybroek en 05-27-20
- Labyrinths
- Selected Stories & Other Writings
- De: Jorge Luis Borges
- Narrado por: Dominic Keating
Bizarre pronunciation
Revisado: 11-12-22
I'm not sure whether some of the very odd and offputting pronunciations of some words, at times to the point of near-incomprensibility, are due to the narrator's dialect of English or unfamiliarity with particular words. In most cases this problem does not detract from the understanding of the narrative in a serious way, but it's distracting nonetheless. His German pronunciation is also generally atrocious; I cannot speak to his handling of the many brief passages, phrases and names in French and Spanish, but these seem okay to my untrained ear.
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The Unreal and the Real
- Selected Stories of Ursula K. Le Guin, Volume One: Where on Earth
- De: Ursula K. Le Guin
- Narrado por: Tandy Cronyn
- Duración: 11 h y 44 m
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The Unreal and the Real is a major event not to be missed. In this two-volume selection of Ursula K. Le Guin's best short stories--as selected by the National Book Award winning author herself--the reader will be delighted, provoked, amused, and faced with the sharp, satirical voice of one of the best short story writers of the present day. Where on Earth explores Le Guin's earthbound stories which range around the world, from small town Oregon to middle Europe in the middle of revolution to summer camp.
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Shame on you, Audible
- De Audrey McCombs en 07-03-20
- The Unreal and the Real
- Selected Stories of Ursula K. Le Guin, Volume One: Where on Earth
- De: Ursula K. Le Guin
- Narrado por: Tandy Cronyn
"Chapter"/Story Breaks Bungled
Revisado: 09-23-22
The stories in this collection are superb, having been selected by the late Ms. Le Guin herself as representative of her best "non-genre" (an admittedly arbitrary categorization) work. The narration is very good.
The problem is that this is a collection of short stories, but the chapter breaks inserted by Audible do not in all cases correspond to the beginning of a new story. To locate some stories, one must scrub along through the previous story to the end. The only way I knew to do this was that I have original print copies of both volumes of The Unreal and the Real, and could refer to the Table of Contents in each to determine the order in which the stories occur.
I get that some people don't know the difference between a novel and a story collection, and that of the latter group a large proportion simply read or listen to stories in order, but I'm not one of them and neither should be the Audible curators. We deserve a real Table of Contents on an audiobook, and I hope this shortcoming will be corrected.
Otherwise, this is a great collection.
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esto le resultó útil a 8 personas
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The Last Unicorn
- De: Peter S. Beagle, Patrick Rothfuss
- Narrado por: Orlagh Cassidy, Joshua Kane
- Duración: 8 h y 9 m
- Versión completa
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The unicorn lived in a lilac wood, and she lived all alone...so she ventured out from the safety of the enchanted forest on a quest for others of her kind. Joined along the way by the bumbling magician Schmendrick and the indomitable Molly Grue, the unicorn learns all about the joys and sorrows of life and love before meeting her destiny in the castle of a despondent monarch—and confronting the creature that would drive her kind to extinction....
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Wonderful story given mediocre treatment in audio
- De David A. Howarth en 08-23-22
- The Last Unicorn
- De: Peter S. Beagle, Patrick Rothfuss
- Narrado por: Orlagh Cassidy, Joshua Kane
Wonderful story given mediocre treatment in audio
Revisado: 08-23-22
The Last Unicorn itself deserves all the praise that can be heaped upon it. It is by turns clever, profound, laugh-out-loud funny, sophisticated, heartfelt, and bittersweet, each of these qualities revealed with a deft precision and panache, perfectly balanced each against the other in a deceptively light style that is perfectly transparent to the casual reader.
It is my favorite book, and I own at least ten copies in various editions. This is apparently the only thing I have in common with the introducer, about whose inane scribblings the less said the better. I could not finish the introduction.
The audiobook narration is, even allowing for my high expectations, a bit disappointing. None of the numerous songs and poems are actually sung or dramatized, as the best narrators seem to do (I am relatively new to audiobooks, but thinking of Rob Inglis' LotR or Stefan Rudnicki's Vance narrations here). This alone might be forgivable, but the narrator also fumbles the delivery of much of the book, routinely emphasizing the wrong words in a sentence, though less often in dialog than in expository passages, almost as though she doesn't quite grasp the meaning. Her range of character voices is narrow, with some being more convincing than others (e.g., her Haggard is pretty good, but her Schmendrick doesn't land quite right, a major problem).
Maybe a thorough pre-reading wasn't done, maybe the direction was sloppy, I dunno and don't feel qualified to guess. What I do know is that the end result doesn't quite gel for this listener. I really wanted it to be great, but as it stands I'm repeatedly jarred out of my immersion in the story by these drawbacks.
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esto le resultó útil a 22 personas