Catherine Hiller

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and to devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding, Lucrezia is thrust into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf. Having barely left girlhood behind, Lucrezia must make her way in a court whose customs are opaque and where her arrival is not universally welcomed.

Narrated by Liz Miller, a penniless PhD candidate desperate to finish her dissertation, the novel begins when Liz's boyfriend abruptly ditches her, rendering Liz homeless and reduced to couch-surfing at best friend Petra's tiny Manhattan studio apartment. Trying to find an affordable living space, she stumbles across a Craigslist posting that will change her life: a room with a view in a prewar Greenwich Village apartment. The rent is a pittance, but in exchange, the tenant must be willing to read aloud daily to the apartment's sight-impaired landlady.

The Latecomer follows the story of the wealthy, New York City-based Oppenheimer family, from the first meeting of parents Salo and Johanna, under tragic circumstances, to their triplets born during the early days of IVF. As children, the three siblings—Harrison, Lewyn, and Sally—feel no strong familial bond and cannot wait to go their separate ways, even as their father becomes more distanced and their mother more desperate. When the triplets leave for college, Johanna, faced with being truly alone, makes the decision to have a fourth child.

Fiona Maye is a High Court judge in London presiding over cases in family court. She is fiercely intelligent, well respected, and deeply immersed in the nuances of her particular field of law. Often the outcome of a case seems simple from the outside, the course of action to ensure a child's welfare obvious. But the law requires more rigor than mere pragmatism, and Fiona is expert in considering the sensitivities of culture and religion when handing down her verdicts.

The first time Bridger saw Dana she was dancing barefoot, her hair aflame in the red glow of the club, her body throbbing with rhythms and cross-rhythms that only she could hear. He was mesmerized. That night they were both deaf, mouthing to each other over the booming bass. And it was not until their first date, after he had agonized over what CD to play in the car, that Bridger learned that her deafness was profound and permanent. By then, he was falling in love.