kelsey collett

At once profoundly personal and far-reaching, Exit Interview with My Grandmother serves as a meditation on the beginning of a young woman’s life and the series of questions that arise from examining love, loss, family, memory, and death. Moving between cities and centuries, Meyersohn probes her family's Jewish history and her grandparents' relationships in part to decipher her own young queer relationships, but also to examine how we ought to behave in the face of a world riddled with uncertainty and doubt.

Alix Chamberlain is a woman who gets what she wants and has made a living, with her confidence-driven brand, showing other women how to do the same. So she is shocked when her babysitter, Emira Tucker, is confronted while watching the Chamberlains' toddler one night, walking the aisles of their local high-end supermarket. The store's security guard, seeing a young Black woman out late with a White child, accuses Emira of kidnapping two-year-old Briar. A small crowd gathers, a bystander films everything, and Emira is furious and humiliated. Alix resolves to make things right.

For decades we've been told that positive thinking is the key to a happy, rich life. "F*ck positivity," Mark Manson says. "Let's be honest, shit is f*cked, and we have to live with it." In his wildly popular Internet blog, Manson doesn't sugarcoat or equivocate. He tells it like it is - a dose of raw, refreshing, honest truth that is sorely lacking today. The Subtle Art of Not Giving a F*ck is his antidote to the coddling, let's-all-feel-good mind-set that has infected modern society and spoiled a generation, rewarding them with gold medals just for showing up.

Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to 12 years for a crime Celestial knows he didn't commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding.

Can a young war correspondent find herself and follow her heart? In this work of historical fiction, 20-something Annabella “Annie” March arrives in France in 1944 intending to write about the war. Soon, however, Annie begins to distance herself from her sometimes-mentor, sometimes-rival - the great Martha Gellhorn - and Gellhorn’s larger-than-life husband, the novelist Ernest Hemingway. She turns to photography in the hopes of making her own name and, to her delight, discovers that images come more easily than words.

Beloved author Elizabeth Gilbert returns to fiction with a unique love story set in the New York City theater world during the 1940s. Told from the perspective of an older woman as she looks back on her youth with both pleasure and regret (but mostly pleasure), City of Girls explores themes of female sexuality and promiscuity, as well as the idiosyncrasies of true love. In 1940, nineteen-year-old Vivian Morris has just been kicked out of Vassar College, owing to her lackluster freshman-year performance.

In the thrilling finale of Melissa Lopez's podcast, the truth of Anna Winslow's mysterious death is finally revealed. Melissa's investigation comes to a dramatic conclusion as she confronts those involved, but with no hard evidence, will those she believes to be guilty avoid justice? And is the truth worth revealing, when her own life is at risk? Melissa believes so. But if that truth were to haunt us all, is it a truth we want to hear?

In the thrilling finale of Melissa Lopez's podcast, the truth of Anna Winslow's mysterious death is finally revealed. Melissa's investigation comes to a dramatic conclusion as she confronts those involved, but with no hard evidence, will those she believes to be guilty avoid justice? And is the truth worth revealing, when her own life is at risk? Melissa believes so. But if that truth were to haunt us all, is it a truth we want to hear?

Imagine living with a fear so visceral each day that simply walking down the street draws terror to one’s core. That’s the best case scenario for a woman on the streets of Juárez, Mexico. Kate del Castillo (La Reina del Sur) delivers a stunning one-woman performance that transports listeners from a New York stage to the treacherous streets of Juárez, Mexico, where thousands of women have been murdered in an ongoing epidemic of violence.