Tonya wood

From New York Times best seller Pepper Winters comes one of her best tales yet... "What do you do when you meet your soul mate? No wait...that's too easy. What do you do when you meet your soul mate and have to spend a lifetime loving him in secret? I'll tell you what you do. You lie." Ren was eight when he learned that love doesn't exist - that the one person who was supposed to adore him only cared how much he was worth. His mother sold him and for two years, he lived in terror. But then...he ran.

Kidnapped by the notorious rebel group Provstat, Brexley finds her connection goes deeper than she ever imagined. Reunited with old acquaintances and an uncle she never knew, Brexley is thrown into the vicious world of politics, where human and fae leaders will do anything to come out on top. Here dangerous associations and meticulous plots are far more dangerous and cutthroat than any game she survived in Halálház.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

After a car accident killed her parents when she was a child, Bronagh Murphy chose to box herself off from people in an effort to keep herself from future hurt. If she doesn't befriend people, talk to them, or acknowledge them in any way, they leave her alone just like she wants. When Dominic Slater enters her life, ignoring him is all she has to do to get his attention.

London, 2019. Life has been easy for Maxim Trevelyan. With his good looks, aristocratic connections, and money, he’s never had to work, and he’s rarely slept alone. But all that changes when tragedy strikes and Maxim inherits his family’s noble title, wealth, and estates, and all the responsibility that entails. It’s a role he’s not prepared for and one that he struggles to face. But his biggest challenge is fighting his desire for an unexpected, enigmatic young woman who’s recently arrived in England, possessing little more than a dangerous and troublesome past.

Life is a cruel game, where only the most ruthless survive. It’s a truth my mother rebelled against, and she paid for it with her life. Now, I play their game. Publicly accepting the destiny that lies in wait for me when I turn 18. But behind closed doors, I plot my escape. Trent, Charlie, and my twin Drew rule the hallways of Rydeville High with arrogance and an iron fist. I execute my role perfectly, hating every second, but they never let me forget my place in this world.

I had no idea she was going to tell Damien. If I did, I would have stopped her. I would have told her the truth myself. Now I'm afraid I'm going to lose her, and there's nothing I can do about it.

She saved my life. She promised she wouldn't intervene, that her loyalty was to her family, not me. But she did it anyway. Now everything is different. I can feel it with every kiss, every time she's underneath me. This isn't a meaningless fling anymore. It's so much more. I know it...and she knows it.

Why did I let her go? I can't answer that. How do you expect me to answer that when I don't even know? I'm the Skull King. I never let anyone go. When I see her at the bar six weeks later, she's still the feisty handful that I remember. She owns the room in that tight dress and that fire. Now that she's not dirty in a locked cage...she's stunning. She cleans up good. I decide to say hello...and see what happens.

She’s mine once again but she’s practically a ghost. She’s just using me...not that I mind. But her indifference is suffocating. I mean nothing to her...less than what she used to mean to me. Admissions of regret and apologies aren’t enough to fix it. I have to return to the gypsy...and hope for the best.