OYENTE

Anónimo

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Beautiful character drawing

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 12-19-24

Poignant, drawing you in, beautiful character drawing. Loved the performance. Such a slow, painful discovery of want, need, self.

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Needs editing

Total
2 out of 5 stars
Ejecución
2 out of 5 stars
Historia
3 out of 5 stars

Revisado: 08-10-24

The story and characters are interesting enough that I listened to the end. But the book needs editing: too much rehashing throughout when one has already got the point; unnecessary “color”- eg ruin in the forest (perhaps it is important in subsequent books?), adopting the dog, the butler; too many narrow escapes - just couldn’t suspend that much belief: Michael knew his end had come but - fill in the next narrow escape, Even the premise of sending the boys to Germany under false names etc - really? I also found the narration overly dramatic and breathless although it matched the overtop-ness of the writing. All in all - would be better after some serious editing.

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Transporting

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 08-01-23

Wonderful storytelling with characters so creatively drawn. I cried more than once. Verghese’s empathy for humanity is evident in his writing and is his voice. His reading is beautifully paced.

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Best ever!

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 02-11-22

This book has spoiled me for all books in the future. Each character is so precisely drawn and the performer brings each to life with just the faintest inflection of his voice. There is nothing superfluous in the writing - the smallest details weave subtly together to create this rich tapestry: eg. beekeeper on the roof and the apple trees, the Count’s visits to the barber, Nina’s key and the furnace in the boiler room, the goose incident, Nina’s interest in dueling and the three pictures on the manager’s office, beautifully depicting the unfolding Russian history. I was so taken with the characters and the story that I read the book after I had listened to it, to be able to linger over the words and the story, and realized then how much the performer’s reading and voice contributed to my enjoyment of both. “Of course.”

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