Annette

One of Jane Austen’s most beloved works, Pride and Prejudice, is vividly brought to life by Academy Award nominee Rosamund Pike ( Gone Girl). In her bright and energetic performance of this British classic, she expertly captures Austen’s signature wit and tone. Her attention to detail, her literary background, and her performance in the 2005 feature film version of the novel provide the perfect foundation from which to convey the story of Elizabeth Bennet, her four sisters, and the inimitable Mr. Darcy.

Seven years ago, Anne Elliot broke off her engagement to Captain Frederick Wentworth, convinced that marrying a man without money or status would be a grave mistake. Now, she is past her prime and single at 27. But when the estranged paramours reconnect through a couple renting the Elliot family estate, Anne discovers she may have another shot at romance - this time, on her terms.

For a quarter-century, from the end of Watergate to the aftermath of the Cold War, no Republican won the presidency without his help or ran the White House without his advice. James Addison Baker III was the indispensable man for four presidents because he understood better than anyone how to make Washington work at a time when America was shaping events around the world. The Man Who Ran Washington is a pause-resisting portrait of a power broker who influenced America's destiny for generations.

Professor Perl invites you in these eight lectures to abandon your preconceptions and consider some of the most controversial authors of the 20th century: the Modernists.Who were they? How did "classical" Modernists like Ezra Pound, T.S. Eliot, and James Joyce differ from "neo-Modernists" like Gertrude Stein and William Carlos Williams? What made them believe and write as they did? Why were political extremism, war, and self-destructive behavior such defining forces in their writing (and their personal demons)? What do they have to say to us today in the 21st century?These lectures place literary Modernism within the wide-ranging context of the philosophy, literature, politics, and morality of its time. In doing so, they allow you to look more clearly at the writers and works who have contributed to the definition of human culture. You'll see Eliot, Joyce, Pound, Yeats, James, Lawrence, and others spring to life with their radical beliefs about art and their unforgettable novels and stories. These lectures do not shrink from the challenges imposed by exploring Modernism, or from challenging the answers that scholars have routinely accepted. Nor do they shy away from the difficulties of literary Modernism itself; a literary genre that intimidates many. But despite all this, these lectures are brilliantly organized, crystal clear, and an invaluable tool for finally wrapping your brain around a dramatic roster of authors and an enduring canon of literature.

Ishmael, the narrator, tells of the adventures of Captain Ahab in his relentless quest to seek revenge on the white whale that bit off his leg. Full of allegory and symbolism, Moby Dick is an epic tragedy of tremendous dramatic power and narrative drive. This large-scale adaptation, recorded in America, skilfully reproduces the unique mixture of adventure, myth, history, and philosophy in Melville's epic tale.

Why do "Great Books" continue to speak to us hundreds and even thousands of years after they were written? Can they deepen our self-knowledge and wisdom? Are our lives changed in any meaningful way by the experience of reading them?Tackle these questions and more in these 36 engaging lectures. Beginning with his definition of a Great Book as one that possesses a great theme of enduring importance, noble language that "elevates the soul and ennobles the mind," and a universality that enables it to "speak across the ages," Professor Fears examines a body of work that offers extraordinary wisdom to those willing to receive it.

This series of 24 fascinating lectures draws on the latest modern scholarship to explore the lives of four medieval women who still shimmer in the modern imagination: Heloise, the abbess and mistress of Abelard; the prophet Hildegard of Bingen; Queen Eleanor of Aquitaine; and Joan of Arc. These lectures exemplify today's golden age of medieval scholarship, in which the role women played in medieval life is being clarified for the first time.

From Gregorian Chant to Henryk Gorecki, the first living classical composer to get into the pop album charts, here is the fascinating story of over a thousand years of Western classical music and the composers who have sought to express in music the deepest of human feelings and emotions. Also available: The History of Opera.